Face and Shadow: Approaches to the Modern Revolutionary ImpulseSimon and Schuster, 1971 - Всего страниц: 254 |
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Стр. 19
... style , cannot be overestimated — its mysterious savoir faire , its instinct for timing and for managing the undercurrents of tension . The " Face " of modern English poetry during the first half of our century was T.S. Eliot , by his ...
... style , cannot be overestimated — its mysterious savoir faire , its instinct for timing and for managing the undercurrents of tension . The " Face " of modern English poetry during the first half of our century was T.S. Eliot , by his ...
Стр. 29
... style is handsome - so is the style of the concertmaster of the New York Philharmonic ; but either registers as consider- ably less than final truth . The thrust of personal fulfillment is always significant . What is wrong with the ...
... style is handsome - so is the style of the concertmaster of the New York Philharmonic ; but either registers as consider- ably less than final truth . The thrust of personal fulfillment is always significant . What is wrong with the ...
Стр. 191
... style , the male added style and color to the figure of the male as the well- engineered social tool . He dressed for comfort , but kept his mascu- linity intact . This style was no gesture of Unisex ; but sexual walls were softened ...
... style , the male added style and color to the figure of the male as the well- engineered social tool . He dressed for comfort , but kept his mascu- linity intact . This style was no gesture of Unisex ; but sexual walls were softened ...
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Face and Shadow: Approaches to the Modern Revolutionary Impulse Judah Stampfer Просмотр фрагмента - 1971 |
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