....

very letter of good Mrs. Alleyn shows that William Shakspere not only lived, but went about pretty much like other people, calling common things by their common names, giving advice about worldly matters in the way of ordinary folk, and spoken of by the wife of his friend without any wonder or laudation, just as if he had written no 'Midsummer Night's Dream,' or 'Othello:'-"Aboute a weeke a goe there came a youthe, who said he was Mr. Francis Chaloner, who would have borrowed xl to have bought things for . . . . and said he was known unto you, and Mr. Shakespeare of the Globe, who came said he knewe hym not, onely he herde of hym that he was a roge...... so he was glade we did not lend him the monney . Richard Johnes [went] to seeke and inquire after the fellow, and said he had lent hym a horse. I feare me he gulled hym, though he gulled not us. The youthe was a prety youthe, and hansome in appayrell we knowe not what became of hym." But although Shakspere was in London on the 20th of October, 1603, it is tolerably clear that the performances at the public theatres were not resumed till after the order of the 9th of April, 1604. In the Office Books of the Treasurer of the Chamber there is an entry of a payment of thirty-two pounds upon the Council's warrant dated at Hampton Court, February 8th, 1604, "by way of his Majesty's free gift" to Richard Burbage, one of his Majesty's comedians, “for the maintenance and relief of himself and the rest of his company, being prohibited to present any plays publicly in or near London, by reason of great peril that might grow through the extraordinary concourse and assembly of people, to a new increase of the plague, till it shall please God to settle the city in a more perfect health.”b But though the public playhouses might be closed through the fear of an "extraordinary concourse and assembly of people,” the King, a few months previous, had sent for his own players to a considerable distance to perform before the Court at Wilton. There is an entry in the same Office Book of a payment of thirty pounds to John Hemings" for the pains

a From the Papers in Dulwich College, printed in Mr. Collier's Memoirs of Edward Alleyn.'

Cunningham's 'Revels at Court,' p. xxxv.

and expenses of himself and the rest of his company in coming from Mortlake in the county of Surrey unto the Court aforesaid, and there presenting before his Majesty one play on the 2nd of December last, by way of his Majesty's reward." Wilton was the seat of William Herbert, Earl of Pembroke, to whom it has been held that Shakspere's Sonnets were addressed. We know from good authority that this nobleman, “the most universally beloved and esteemed of any man of that age," (according to Clarendon,) befriended Shakspere, and that his brother joined him in his acts of kindness. The dedication by John Heminge and Henry Condell, prefixed to the first collected edition of the works of Shakspere, is addressed " To the most noble and incomparable pair of brethren, William Earl of Pembroke, and Philip Earl of Montgomery." In the submissive language of poor players to their "singular good lords" they say, “When we value the places your Honours sustain, we cannot but know their dignity greater than to descend to the reading of these trifles; and while we name them trifles, we have deprived ourselves of the defence of our dedication. But since your Lordships have been pleased to think these trifles something, heretofore; and have prosecuted both them, and their author living, with so much favour: we hope that (they out-living him, and he not having the fate, common with some, to be executor to his own writings) you will use the like indulgence toward them you have done unto their parent." They subsequently speak of their Lordships liking the several parts of the volume when they were acted; but their author was the object of their personal regard and favour. The call to Wilton of Shakspere's company might probably have arisen from Lord Pembroke's desire to testify this favour. It would appear to be the first theatrical performance before James in England. The favour of the Herberts towards Shakspere thus began early. The testimony of the player-editors would imply that it lasted during the poet's life.

At the Christmas of the same year the King had taken up his residence at Hampton Court. It was here, a little before the period when the Conference on Conformity in Religion was begun, that the Queen and eleven ladies of

honour were presenting Daniel's Masque; and Shakspere and his fellows performed six plays before the King and Prince, receiving twenty nobles for each playa. The patronage of the new King to his servants, players acting at the Globe, seems to have been constant and liberal. To Shakspere this must have been a season of prosperity and of honour. The accession of the King gave him something better. His early friend and patron Southampton was released from a long imprisonment. Enjoying the friendship of Southampton and Pembroke, who were constantly about the King, their tastes may have led the monarch to a just preference of the works of Shakspere before those of any other dramatist. The six plays performed before the King and Prince in the Christmas of 1603-4 at Hampton Court, were followed at the succeeding Christmas by performances "at the Banqueting-House at Whitehall," in which the plays of Shakspere were preferred above those of every other competitor. There were eleven performances by the King's players, of which eight were plays of Shakspere. Jonson shared this honour with him in the representation of 'Every One in his Humour,' and 'Every One out of his Humour.' A single play by Heywood, another by Chapman, and a tragedy by an unknown author, completed the list of these revels at Whitehall. It is told, Malone says, "upon authority which there is no reason to doubt, that King James bestowed especial honour upon Shakspere." The story is told in the Advertisement to Lintot's edition of Shakspere's Poems"That most learned Prince, and great patron of learning, King James the First, was pleased with his own hand to write an amicable letter to Mr. Shakespeare; which letter, though now lost, remained long in the hands of Sir William Davenant, as a credible person now living can testify." Was the honour bestowed as a reward for the compliment to the King in Macbeth,' or was the compliment to the King a tribute of gratitude for the honour ?

CHAPTER XII.

We have seen that in the year 1602 Shakspere was investing the gains of his profession in the purchase of property at Stratford. It appears from the original Fines of the Court of King's Bench, preserved in the Chapter-house, that a little before the accession of James, in 1603, Shakspere had also purchased a messuage at Stratford, with barns, gardens, and orchards, of Hercules Underhill, for the sum of sixty pounds. There can be little doubt that this continued acquisition of property in his native place had reference to the ruling desire of the poet to retire to his quiet fields and the placid intercourse of society at Stratford, out of the turmoil of his professional life and the excitement of the companionship of the gay and the brilliant. And yet it appears highly probable that he was encouraged, at this very period, through the favour of those who rightly estimated his merit, to apply for an office which would have brought him even more closely in connection with the Court, that of Master of the Queen's Revels, to which office Samuel Daniel was appointed. It is not impossible that Shakspere looked to this appointment as a compensation for his retirement from the profession of an actor, retaining his interest, however, as a theatrical proprietor. Be that as it may, he still carried forward his ruling purpose of the acquisition of property at Stratford. In 1605 he accomplished a purchase which required a larger outlay than any previous investment. On the 24th of July, in the third year of James, a conveyance was made by Ralph Huband, Esq., to William Shakspere, gentleman, of a moiety of a lease of the great and small tithes of Stratford, for the remainder of a term of ninety-two years, and the amount of the purchase was four hundred and forty pounds. There can be little doubt that he was the cultivator of his own land, availing himself of the assistance of his brother Gilbert, and, in an earlier period, probably of his father. An account in 1597 of the stock of malt in the borough of Stratford, is said to exhibit ten quarters in the possession of William Shakspere, of Chapel Street Ward. New Place was situated in Chapel Street.

The purchase of a moiety of the tithes of so large a parish as Stratford might require extensive arrangements for their collection. Tithes in those days were more frequently collected in kind than by a modus. But even if a modus was taken, it would require a knowledge of the value of agricultural produce to farm the tithes with advantage. But before the date of this purchase it is perfectly clear that William Shakspere was in the exercise of the trading part of a farmer's business. He bought the hundred and seven acres of land of John and William Combe, in May, 1602. In 1604 a declaration was entered in the Borough Court of Stratford, on a plea of debt, William Shakspere against Philip Rogers, for the sum of thirty-five shillings and tenpence, for corn delivered. The precept was issued in the usual form upon this declaration, the delivery of the corn being stated to have taken place at several times in the first and second years of James. There cannot be more distinct evidence that William Shakspere, at the very period when his dramas were calling forth the rapturous applause of the new Sovereign and his Court, and when he himself, as it would seem, was ambitious of a courtly office, did not disdain to pursue the humble though honourable occupation of a farmer in Stratford, and to exercise his just rights of property in connection with that occupation. We must believe that he looked forward to the calm and healthful employment of the evening of his days, as a tiller of the land which his father had tilled before him, at the same time working out noble plans of poetical employment in his comparative leisure, as the best scheme of life in his declining years. The exact period when he commenced the complete realization of these plans is somewhat doubtful. He had probably ceased to appear as an actor before 1605. If the date 1608 be correctly assigned to a letter held to be written by Lord Southampton, it is clear that Shakspere was not then an actor, for he is there described as "till of late an actor of good account in the company, now a sharer in the same." His partial freedom from his professional labours certainly preceded his final settlement at Stratford.

In the conveyance by the Combes to Shakspere in 1602, he is designated as William Shakspere of Stratford-upon