Faulkner and Modernism: Rereading and RewritingUniversity of Wisconsin Press, 1990 - Всего страниц: 259 Throughout his career Faulkner retold some of the same stories about some of the same events and characters, but retold them differently. For many years now these rewritings and revisions have been judged failures of craft. But Faulkner knew they were there and defended his discrepancies, associating them with learning about human character. Richard Moreland argues that these revisionary repetitions in fact constitute Faulkner's conscious critique of modernism. Moreland's readings of Absalom! Absalom!, The Hamlet, Go Down, Moses Requiem for a Nun and other works reveal Faulkner's explorations of both the motivations and consequences of modernism in the context of America's dominant discourses of class, race, gender and sexuality. |
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Стр. 52
... Rosa's more anxious irony , Compson first resituates it now not as a strategy of retreat , secondary to her nostalgia and fright , but as a prior and original attitude to which Rosa was bound to return , a kind of inalienable birthright ...
... Rosa's more anxious irony , Compson first resituates it now not as a strategy of retreat , secondary to her nostalgia and fright , but as a prior and original attitude to which Rosa was bound to return , a kind of inalienable birthright ...
Стр. 55
... Rosa . These ironies about Ellen do not prevent - in a way they rather permit - Rosa's investing her hopes instead in the much more vaguely delineated , also much more vaguely negated , “ impenetrable dream- ing " of Ellen's daughter and ...
... Rosa . These ironies about Ellen do not prevent - in a way they rather permit - Rosa's investing her hopes instead in the much more vaguely delineated , also much more vaguely negated , “ impenetrable dream- ing " of Ellen's daughter and ...
Стр. 57
... Rosa's staying away in terms of her ironic " final and complete abnegation " — that is , as another instance of her standing back from too direct a role in Judith's love with the Ecclesiastes attitude that the folly of this war too ...
... Rosa's staying away in terms of her ironic " final and complete abnegation " — that is , as another instance of her standing back from too direct a role in Judith's love with the Ecclesiastes attitude that the folly of this war too ...
Содержание
Nausea and Ironys Failing Distances | 23 |
Willfulness and Ironys Other Voices | 79 |
From Irony to Humor and Rage | 122 |
Авторские права | |
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Часто встречающиеся слова и выражения
Ab's Absalom accept actually already ambivalence apparently articulate attempt authority becomes begin Bon's called chapter child Compson continuing critical cultural dead death denial deny desire door economy escape especially event example exchange exclusion face father Faulkner fear fiction finally Flem forced fright Hamlet hand Henry historical hope human humor ideal imagine innocence involvement ironic irony Judith kind later least less living look loss means modernist moral mourning Nancy narrative nature novel object oppositions particular past perhaps planter's position possibility Quentin Ratliff reading reality recognize repeated repetition represents resistance revision role Rosa Rosa's says scene seems sense social society society's South Southern speak story structure suffering suggests supposedly surprise Sutpen symbolic tell Temple tion trying turn understand victim violent voice writing