The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - Всего страниц: 286 |
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Стр. 17
... understand , recognize it and confirm its being out there as well as in here . The self is located neither inside the mind nor outside ; it is not re - pre- sented by our behavior in the world , but present and apprehended therein . The ...
... understand , recognize it and confirm its being out there as well as in here . The self is located neither inside the mind nor outside ; it is not re - pre- sented by our behavior in the world , but present and apprehended therein . The ...
Стр. 221
... understand the principles involved in its construction , we must look at it philosophically , not as passive ad- mirers . But the desire to understand those principles of an object's design that contribute to its aesthetic effect is the ...
... understand the principles involved in its construction , we must look at it philosophically , not as passive ad- mirers . But the desire to understand those principles of an object's design that contribute to its aesthetic effect is the ...
Стр. 227
... understand . It is he who must return to tell his dream of the Titans ' sorrow , he who is its only witness . Between Hyperion and The Fall of Hyperion , then , Keats's focus shifts to the question of the visionary's responsibility for ...
... understand . It is he who must return to tell his dream of the Titans ' sorrow , he who is its only witness . Between Hyperion and The Fall of Hyperion , then , Keats's focus shifts to the question of the visionary's responsibility for ...
Содержание
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes
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