The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - Всего страниц: 286 |
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Стр. 43
... stand single " ( III , 188-189 ) , where we exist as independent and not as public persons , represents in large part a reaction against his very dependence , as a poet , on " other minds . " In his own choice of vocation Wordsworth ...
... stand single " ( III , 188-189 ) , where we exist as independent and not as public persons , represents in large part a reaction against his very dependence , as a poet , on " other minds . " In his own choice of vocation Wordsworth ...
Стр. 73
... stand- ing self - doubts were brought to a crisis . For the first time since he had become involved in the great debate over the Revolution , he felt the crushing weight of nation and class on the heart's sanctum sanctorum . “ Like an ...
... stand- ing self - doubts were brought to a crisis . For the first time since he had become involved in the great debate over the Revolution , he felt the crushing weight of nation and class on the heart's sanctum sanctorum . “ Like an ...
Стр. 128
... stand , as I have stood , Silent with swimming sense ; yea , gazing round On the wide landscape , gaze till all doth ... stands where the poet has stood , but the poet , delighting in Charles's imagined gladness , now stands nowhere and ...
... stand , as I have stood , Silent with swimming sense ; yea , gazing round On the wide landscape , gaze till all doth ... stands where the poet has stood , but the poet , delighting in Charles's imagined gladness , now stands nowhere and ...
Содержание
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Недоступно для просмотра - 2013 |
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accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes
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