The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - Всего страниц: 286 |
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Стр. 45
... observe and accost him an angry response . We have no reason to believe the beggar knows that others even exist , or that they expect him to know . Rather , as the poem proceeds , he becomes al- most an elemental power , as unaware of ...
... observe and accost him an angry response . We have no reason to believe the beggar knows that others even exist , or that they expect him to know . Rather , as the poem proceeds , he becomes al- most an elemental power , as unaware of ...
Стр. 264
... observes , of the descrip- tion of the Leech - gatherer , " that the use of metaphor is in fact double - edged , and that there is a high degree of ambiguity about whether it serves to vivify the inanimate . . . or deanimate the human ...
... observes , of the descrip- tion of the Leech - gatherer , " that the use of metaphor is in fact double - edged , and that there is a high degree of ambiguity about whether it serves to vivify the inanimate . . . or deanimate the human ...
Стр. 274
... observes that there is " thinking " in such an experience , " but the thinking starts from nowhere " ( Perception , p . 283 ) . Newell F. Ford , however , in " Keats , Empathy , and the ' Poetical Charac- ter , ' Studies in Philology ...
... observes that there is " thinking " in such an experience , " but the thinking starts from nowhere " ( Perception , p . 283 ) . Newell F. Ford , however , in " Keats , Empathy , and the ' Poetical Charac- ter , ' Studies in Philology ...
Содержание
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes
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