The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - Всего страниц: 286 |
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Стр. 127
... lines . We are drawn to the scene itself , not to the pouting personality of the speaker , and so compellingly that ... line . Our attention , too , is fixed on this " most fantastic sight , " almost as though the phrase , “ my friends ...
... lines . We are drawn to the scene itself , not to the pouting personality of the speaker , and so compellingly that ... line . Our attention , too , is fixed on this " most fantastic sight , " almost as though the phrase , “ my friends ...
Стр. 199
... line will share the fate of those " fanatics " in the opening lines of The Fall of Hyperion who , lacking " melodious utterance " ( 6 ) , can only " live , dream , and die " ( 7 ) . She refuses to address and thus admit to consciousness ...
... line will share the fate of those " fanatics " in the opening lines of The Fall of Hyperion who , lacking " melodious utterance " ( 6 ) , can only " live , dream , and die " ( 7 ) . She refuses to address and thus admit to consciousness ...
Стр. 222
... lines is slightly different from that of the conclusion , where we are pointedly reminded of the ephemeral , legendary quality of this tale . + 2 The lines in stanza 22 begin like an address to the reader , a command , " Now prepare ...
... lines is slightly different from that of the conclusion , where we are pointedly reminded of the ephemeral , legendary quality of this tale . + 2 The lines in stanza 22 begin like an address to the reader , a command , " Now prepare ...
Содержание
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
Авторские права | |
Не показаны другие разделы: 3
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Недоступно для просмотра - 2013 |
Часто встречающиеся слова и выражения
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes
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