The Self as Mind: Vision and Identity in Wordsworth, Coleridge, and KeatsHarvard University Press, 1986 - Всего страниц: 286 |
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Стр. 21
... hand , then , and despite solipsistic tendencies , these Romantic poets discovered that the self could not be exclusively iden- tified with consciousness , not even when it found itself " embodied " in a style of perception or feeling ...
... hand , then , and despite solipsistic tendencies , these Romantic poets discovered that the self could not be exclusively iden- tified with consciousness , not even when it found itself " embodied " in a style of perception or feeling ...
Стр. 186
... hand in hand with eros — all three pass before him , literally , “ with . . . joined hands " ( 2 ) . From early on the search for an ideal self - realization within the re- stricted limits of an exclusive love relationship informs many ...
... hand in hand with eros — all three pass before him , literally , “ with . . . joined hands " ( 2 ) . From early on the search for an ideal self - realization within the re- stricted limits of an exclusive love relationship informs many ...
Стр. 216
... hand , She felt the warmth , her eyelids open'd bland , And , like new flowers at morning song of bees , Bloom'd , and gave up her honey to the lees . Into the green - recessed woods they flew ; Nor grew they pale , as mortal lovers do ...
... hand , She felt the warmth , her eyelids open'd bland , And , like new flowers at morning song of bees , Bloom'd , and gave up her honey to the lees . Into the green - recessed woods they flew ; Nor grew they pale , as mortal lovers do ...
Содержание
The Idea of the Self as Mind | 1 |
Making a Place in the World | 31 |
Speaking Dreams | 100 |
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The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Недоступно для просмотра - 2013 |
The Self As Mind: Vision and Identity in Wordsworth, Coleridge, and Keats Charles J. Rzepka Недоступно для просмотра - 1999 |
Часто встречающиеся слова и выражения
accept appears assume attention audience awareness beauty become beggar begins body calls character Christabel Coleridge Coleridge's comes consciousness depends describes desire dream early effect embodied existence expectations experience expressed eyes fact Fall fear feel figure finally friends give hand heart human ideal identity imagination intense John Keats Keats's Lamia later letter light lines living London look lover Mariner Mariner's means mesmeric mind moon Nature never notes object observes Otho perceived perception person philosophical play poem poet poet's poetic poetry presence question reader reality reason recognition reflects remains represents response role Romantic seeks seems sense shape shows social soul sound speak Spirit stage stand suggests symbol tell theatrical things thought tion true truth turn understand University Press vision visionary voice waking Wordsworth writes
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