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reformation of rakes is seldom permanent, he speedily forsook the haven of domestic enjoyment to revel again in the arms of his mistress, the beautiful Rhada, also deemed an incarnation of the same goddess, with whom he is commonly worshipped. An annual festival, to celebrate the birth of this god, is held in the month Bhadra. On this day his worshippers fast; but, on the conclusion of the worship, indulge themselves in music, dancing, singing, and various other festivities. In the month Shravunu another festival is held in honour of him, which lasts from three to five days, during which the same festivities prevail; to which is added the ceremony of swinging the image of the god in a chair, suspended from the ceiling. In the month Kartiku a third festival takes place to celebrate his revels, which have been before described, among the Gopias; and in the month Phalgoonu is also held the celebrated swinging festival of the dolu, the ceremonies of which last fifteen days, and are accompanied with great splendour and festivity. During these holidays the Hindus spend the night in singing and dancing, and wandering about the streets besmeared with the dolu (a red) powder, in the day time, carrying a quantity of the same powder about with them, which, with much noise and rejoicing, they throw over the different passengers they may meet in their rambles. Music, dancing, fire-works, singing, and many obscenities take place on this occasion. The intelligent missionary, Ward, has given descriptions of these festivals, in which he says: “At these times I have seen the greyheaded idolater and the mad youth dancing together; the old man lifting up his withered arms in the dance, and giving a kind of horror to the scene, which idolatry itself, united to the vivacity of youth, could scarcely be able to inspire.” Krishna is also worshipped under his infant form as Gopalu and Balagopalu, and again as Gopee-nat'hu, the god of the milk-maids. In the picture of Krishna, observes Sir William Jones, it is impossible not to discover, at the first glance, the features of Apollo, surnamed Nomios, or the pastoral, in Greece, and Opifir in Italy, who fed the herds of Admetus, and slew the serpent Python.

RADHA,

The celebrated mistress of Krishna, was, in her mortas form, the wife of a cowherd of Gokal, whom she lived with in a forest near the Jumna. Her image is set up in the temples, and worshipped at the festivals with that of Krishna. (Fig. 5, plate 12.)

NINTH and TENTH AWATARS.

The ninth avatar of Vishnu, or his incarnation as Buddha, will be noticed under the head of Buddha : the tenth, or Kalki avatar, I have already mentioned in a preceding page. Fig. 1, plate 13, from a compartment in the temple of Rama, represents Vishnu richly apparelled, with a drawn sword in his hand, kneeling in front of a winged horse, whose fore foot is raised from the ground, prepared to announce the destruction of the uniVerSe.

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WHETHER we consider this universal deity (alike, through all ages and all climes, the object of the poet's, the hero's, the blockhead's, and the wise man's invocation), as Anteros with his leaden arrow; or as the beauteous Eros with his golden dart; as the Egyptian Horus with the wings of the Etesian winds, or as the Hindu adored Camdeo, with bee-strung bow and flower-tipped shaft; whether we consider him as the son of Jupiter, or Mars and Venus; of Porus the god of counsel, and Penia the goddess of poverty; of Coelus and Terra, or of Zephyrus and Flora; or as the son of Brahma, or of Vishnu, or Krishna, or (which heaven forefend) of Maya or illusion; this we know :“Whate'er thy seat, whate'er thy name, Seas, earth, and air thy reign proclaim. Wreathy smiles and roseate pleasures Are thy richest, sweetest treasures.

All animals to thee their tribute bring,

And hail thee universal king.”
Sir William Jones.

This deity is represented as the child of Brahma, and subsequently as the illusive offspring of Vishnu and Lakshmi, in their avatars as Krishna and Rukmini. He is hence called the son of Maya, or illusion. In his first birth, as the son of Brahma, he was promised by that god dominion over the hearts of the inhabitants of the three worlds; and that himself, Vishnu, and Siva, would be subject to his power The malicious urchin, upon obtaining this promise, immediately let fly an arrow, and pierced the bosom of his father; but on trying his skill, on a subsequent occasion, upon Siva, when he happened to be engaged in prayer, he so incensed him, that with the eye in the middle of his forehead he consumed the god of love to ashes: from which he is called Ananga, the bodyless. Brahma, however, assured him that his body should be restored. After his second birth of Rukmini, he was, on the sixth day, carried away by the Daitiya Shambara and thrown into the sea, where he was swallowed by a fish; which being taken, was opened, and the infant discovered and given to Shambara, who delivered it to his wife, Mayavati. This female was no other than Reti, the wife of Kama in his former birth, who had assumed the form and name of Mayavati, in consequence of having been assured by Siva that her husband would be born again as the son of Krishna. Kama, or Pradyumna, was immediately recognised and brought up carefully by her; till, at a proper period, he was informed who he was, and of the cruelty of Shambara, whom he instantly slew. His standard is, in consequence of the circumstance just mentioned, a fish, and he is called the son of Maya.

“Yes, son of Maya, yes, I know
Thy bloomy shafts and cany bow,
Cheeks with youthful glory beaming,
Locks in braids etherial streaming,
Thy scaly standard, thy mysterious arms,
And all thy pains and all thy charms.”

The image of this god is represented as a beautiful youth, riding on a lory (or parrot) with emerald wings. In his hands he holds a bow strung with bees, and five arrows tipped with flowers.

“ He bends the luscious cane, and twists the string,
With bees, how sweet! but ah! how keen their sting !
He with five flow'rets tips his ruthless darts,
Which through five senses pierce enraptur'd hearts:
Strong chumpa, rich in odorous gold,
Warm amer, nurs'd in heavenly mould,

Dry magkesir, in silver smiling,
Hot kiticum our sense beguiling,
And last, to kindle fierce the scorching flame,
Love-shaft, which gods bright bela name.”

Sir William Jones.

He is supposed to be accompanied by his consort Reti, or affection:

“Thy consort mild, affection ever true,
Graces thy side in vest of glowing hue.”

Also by the cuckoo, the humming bee, and gentle breezes, and to be always wandering through the world; but the banks of the Yamuna, the resort of Krishna and the Gopias, became his favourite haunt. Kama, like the other Hindu deities, has numerous names, either indicative of the power of love over the mind, or descriptive of his attributes. He is called Smara, the son of Maya, Ananga the bodyless, Mudun, he whose banner is a fish, Pradyumna, &c. &c. Fig. 2, plate 21, represents him as a beautiful youth kneeling on a lory with emerald wings, in the act of discharging the love-shaft arrow from his bow, strung with bees. Behind him hangs his quiver, filled with four other arrows tipped with the flowers of the chumpa, the amer, the naghesir, and the kiticum. Images and pictures of this deity are not common. The one given in this work is from a drawing of a very inferior description. The sectarial mark on his forehead is that of Vishnu.

BALA RAMA,

This god was the brother of Krishna, and, as I have remarked in the life of that deity, was saved from the fury of Cansa, by being translated from the womb of his mother into that of another female. He is frequently represented as the coadjutor of his brother in his exploits, and his image usually accompanies that of Krishna in his reanimation (after having been killed) under the form of Juggarnath. According to a note in my account

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