Theater East and West: Perspectives Toward a Total Theater

acting adapted Antonin Artaud aragoto Artaud artistic Asian audience authentic Baiko Bali Balinese dance Barong Barrault beauty Beckett Brecht century character Chinese opera Chinese theater classical Claudel color Copeau costumes Curlew River dance drama dancer decor demon developed dramatist Dullin East elements Elizabethan emotion European feeling formance forms of theater gamelan Genet gestures hanamichi IASTA Ibid imitation impressive Japan Japanese theater Jean Genet Kabuki actor Kabuki plays Kabuki theater Kabuki-za Kanjinchō kind Lady Precious Stream Legong magical makeup mask ment modern movement Narukami Noh drama Noh play onnagata Oriental theater Paris particularly Peking Photo poetry Pomona College presented production Rangda realism reality role sarugaku scenes sense sewamono Shochiku Sieffert spectator spirit stage story stress style stylized suggested symbolic techniques Théâtre theatrical experience tion total theater tradition trans translation troupe West Western actor Western theater woman Yakko York young yūgen Zeami