Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 37Gale Research Company, 1998 |
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Стр. 18
... seems already to have quailed . Duke Solinus for one seems to want the prisoner to begin the play differently . He responds not to Egeon's call for death , but to some imagined plea for mercy : " Merchant of Syracusa , plead no more ...
... seems already to have quailed . Duke Solinus for one seems to want the prisoner to begin the play differently . He responds not to Egeon's call for death , but to some imagined plea for mercy : " Merchant of Syracusa , plead no more ...
Стр. 48
... seems to be based in his keen sense of the profligacy of signifiers and their uneasy relation to a realm of signifieds . The Romantic - Lukácsian position— here implicitly identified as a logocentrism - seems to be articulated as part ...
... seems to be based in his keen sense of the profligacy of signifiers and their uneasy relation to a realm of signifieds . The Romantic - Lukácsian position— here implicitly identified as a logocentrism - seems to be articulated as part ...
Стр. 324
... seems to provide a medium for this transformation , pulling against the verbal statements of death and stasis ( how- ever lovely its forms ) . It does this by moving within and against its own formal harmonic constraints . In the fourth ...
... seems to provide a medium for this transformation , pulling against the verbal statements of death and stasis ( how- ever lovely its forms ) . It does this by moving within and against its own formal harmonic constraints . In the fourth ...
Содержание
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
Часто встречающиеся слова и выражения
Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York