Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Том 37Gale Research Company, 1998 |
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Стр. 208
... Brutus , but has also led Allan Bloom to see Cassius in these scenes as being in open conflict with Epicureanism : ... The man whose doctrine insisted that all action is selfish turns out to be the truest and most sentimental of friends ...
... Brutus , but has also led Allan Bloom to see Cassius in these scenes as being in open conflict with Epicureanism : ... The man whose doctrine insisted that all action is selfish turns out to be the truest and most sentimental of friends ...
Стр. 232
... Brutus ' exhortation to ' formal constancy ' comes as he advises the conspirators to conceal their true thoughts and feelings ; when he urges Cassius to ' be constant ' ( 3. 1. 22 ) it is because Cassius ' panic threatens to reveal the ...
... Brutus ' exhortation to ' formal constancy ' comes as he advises the conspirators to conceal their true thoughts and feelings ; when he urges Cassius to ' be constant ' ( 3. 1. 22 ) it is because Cassius ' panic threatens to reveal the ...
Стр. 234
... Brutus tells himself , construing Caesar's actions after his own fashion . The conspirators want Brutus in their plot because , as Casca puts it , he sits high in all the people's hearts , And that which would appear offence in us His ...
... Brutus tells himself , construing Caesar's actions after his own fashion . The conspirators want Brutus in their plot because , as Casca puts it , he sits high in all the people's hearts , And that which would appear offence in us His ...
Содержание
Geraldo U de Sousa The Peasants Revolt and the Writing of History in 2 Henry | 105 |
Historiography and Legitimation in Henry VIII | 122 |
Steve Longstaffe The Limits of Modernity in Shakespeares King John | 132 |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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Antipholus Antonio Arden argues argument audience Autolycus Bassanio becomes body Brutus Cade Cade's Cambridge Cassius character claim comedy context Coriolanus critics crown cultural death desire discourse dramatic Dromio Duke early modern Edgar Elizabethan England English Erasmus erotic essay father Fletcher gender Gl'Ingannati Greenblatt Hamlet hath Henry VI Henry VIII Henry's history plays Holinshed human Jack Cade John's Julius Caesar King John King Lear king's language Lear's lines London Lord marriage masculine means moral narrative nature noble Orlando Othello Oxford Pandulph play's Plutarch political Portia Queen question Rackin Renaissance rhetoric Richard Richard III role Rosalind says scene seems sense sexual Shake Shakespeare Shakespeare's plays social society speare speech stage suggests Talbot theatre Thomas thou Timon tion tradition tragedy trans Tudor Twelfth Night University Press utopian Viola William William Shakespeare Winter's Tale women words writing York