Manchester University Press, 7 окт. 2005 г. - Всего страниц: 271
This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the French New Wave to the recent triumphs of Histoire(s) du cinéma and Eloge de l'amour.
Drawing on a wide range of literary, filmic and philosophical texts, the book places Godard's work within its intellectual context, examining how developments in French culture and thought since 1950 have been mirrored in--and sometimes anticipated by--Godard's films.
Numerous sequences from Godard's films are singled out for close analysis, demonstrating how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right.
Отзывы - Написать отзыв
Не удалось найти ни одного отзыва.
Другие издания - Просмотреть все
already appears argues asks associated become beginning Bergala body c'est calls camera capitalism characters choses cinema continues critics culture death Deleuze describes desire discussion Editing exist face factory Farocki film France French give Group hand Histoire(s idea implies Jacques Jean-Luc Godard kind language light live look Marie meaning memory Michel montage narrative nature never notes object opening Paris past Patricia Paul perhaps period Photography play political possible precisely present Press Principal actors Production Production company question reading reality reference relation remarks represents responsible role says scene Screenplay seems seen sense sequence sexual shot shows Silverman Sound space spectator suggests talk tells tends things thought tout turn University voice voiceover woman women young