Art and Culture: Critical EssaysBeacon Press, 1 июн. 1971 г. - Всего страниц: 288 "Clement Greenberg is, internationally, the best-known American art critic popularly considered to be the man who put American vanguard painting and sculpture on the world map. . . . An important book for everyone interested in modern painting and sculpture."—The New York Times |
Содержание
AvantGarde and Kitsch | 3 |
The Plight of Culture | 22 |
The Later Monet | 37 |
Renoir | 46 |
Picasso at SeventyFive | 59 |
Collage | 70 |
Georges Rouault | 84 |
Marc Chagall | 91 |
Jacques Lipchitz | 105 |
Kandinsky III | 111 |
1946 | 120 |
Primitive Painting | 129 |
The New Sculpture | 139 |
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abstract art abstract expressionism abstract expressionists abstract painting aesthetic American Analytical Cubism artist avant-garde Avery Avery's became become began Braque Braque's Brecht canvas Cézanne Cézanne's Chagall collage contour contrasts criticism culture decorative drawing Eakins easel painting easel picture effect Eliot facet-planes fact Fauvism feel flat French German Gorky Halacha Hans Hofmann Hofmann illusion of depth imitation Impressionism Impressionist influence Jewish Kafka's Kandinsky kind kitsch Klee Kooning Late Cubist least Léger less light and dark Lipchitz literal literature Matisse Matisse's matter means Miró modeling Modern Art modernist art modernist painting Mondrian Monet nature object Old Masters original painters Paris perhaps Picasso Picasso and Braque pictorial art picture plane poet poetry Pollock radical realization remains Renoir sculpture seems shading shapes social Soutine Soutine's space style success surface Synthetic Cubism T. S. Eliot taste tended things three-dimensional three-dimensional space tion tradition trompe-l'oeil ture turned unity water color