Tragedy and Metatheatre: Essays on Dramatic FormHolmes & Meier, 2003 - Всего страниц: 250 Lionel Abel's original Metatheatre, now published in the company of new essays, has inspired a whole generation of playwrights and critics since it first appeared in 1963. Indeed, to insiders the very word 'metatheatre', coined by Lionel Abel, has become as familiar as the plays the author uses to exemplify his theory. Abel's basic premise is that "tragedy is difficult if not altogether impossible for the modern dramatist." Having identified the modern, existential dilemma (for both playwright and audience), Abel sets out to provide a theory for its resolution. In doing so he illuminates plays by Sophocles, Shakespeare, Calderón, Racine, Wilde, Genet, Brecht, Beckett, Pirandello, and others with ease and probity, offering a new generation of readers fresh, insightful interpretations. And if anyone thinks Lionel Abel has tempered his style be forewarned: As in his opening critique of those he considers to be playing 'language games', his criticism remains as piercing as ever. |
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Стр. 10
... effect of the real . Even though tragedy is a property not of the world but of plays , these tragic plays do " thrust one against the ultimate real . " ( 180 ) Concerned with moral values , unsolvable dilemmas , and necessary conflicts ...
... effect of the real . Even though tragedy is a property not of the world but of plays , these tragic plays do " thrust one against the ultimate real . " ( 180 ) Concerned with moral values , unsolvable dilemmas , and necessary conflicts ...
Стр. 131
... effect of Claudius's crime upon the kingdom . While there is certainly something rotten in Denmark , yet Denmark is as certainly not rotting . And the Ghost does not ask Hamlet to save society but to avenge him . The Ghost does say ...
... effect of Claudius's crime upon the kingdom . While there is certainly something rotten in Denmark , yet Denmark is as certainly not rotting . And the Ghost does not ask Hamlet to save society but to avenge him . The Ghost does say ...
Стр. 164
... effect . Perhaps Brecht did not want this to happen , and I think it correct to say he did not want this to happen because of his political views . Hence his idea of interfering with , interrupting , restraining the response of the ...
... effect . Perhaps Brecht did not want this to happen , and I think it correct to say he did not want this to happen because of his political views . Hence his idea of interfering with , interrupting , restraining the response of the ...
Содержание
Preface | 1 |
What Is Tragedy? | 27 |
METATHEATRE | 94 |
Авторские права | |
Не показаны другие разделы: 4
Часто встречающиеся слова и выражения
Abel Abel's absurd action actors Aeschylus Agamemnon Antigone Aristotle Athaliah Athalie audience Bakhtin baroque Beckett Bérénice Brecht Calderón called certainly characters Clov Clytemnestra comedy comic Creon critics death Don Quixote Dostoevsky dramatist dream Endgame essay Esslin Euripides expressed fact Falstaff father feel Genet Georg Hegel Ghost Godot Greek tragedy Hamlet Hamm Hegel hero hidden Ibsen imagination implacable values interesting James Joyce Jean Racine Joyce judgment kind King Kitto l'esprit faux Macbeth mean metadrama metaplay metatheatre modern drama modernist Molière moral mother motive murder never notion novel Oedipus operative concepts Oresteia Orestes pessimism Phaedra Philoctetes philosopher Pirandello pity play's playwright plot poet political Polonius Prince protagonist question Racine raisonneur reality scene Shakespeare Shaw Shaw's Sophocles stage play story sure Tartuffe Tecmessa term terror theatre theatrical thing thought tragic sense true verse write writer of tragedy wrong