Signs of Life: Cinema and MedicineGraeme Harper, Andrew Moor Wallflower Press, 2005 - Всего страниц: 178 Signs of Life: Medicine and Cinema is the first single volume to consider the cinematic representation of medicine, medical science and the medical profession, and explores the political implications of the representations of doctors, nurses, patients, diseases and disabilities. The essays in this collection, from a wide range of film scholars and medical practitioners, also consider how formal qualities of cinema such as empirical observation, mise-en-sc'ne, propaganda and education, melodrama, documentary and narrative construction impact on our understanding of medical procedures and the public image of medicine. |
Содержание
The mainstream AIDS movie prior to the 1990s 33 | 5 |
disability in Sick and Crash 58 | 26 |
Just a story or a just story? Ethical issues in a film with | 50 |
cinemas images of nurses 105 | 73 |
diagnosing the medical biopic | |
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AIDS American Army associations audience biopic birth Bob Flanagan body British Cinema British films cancer Castevets character childbirth clinical combat fatigue Crash cultural Dark Victory David Cronenberg death depicted disabled discourse disease doctor documentary emphasis ethical example female femininity fiction film comedy film's filmmakers Flanagan footage Freud Gattaca genetic genre Graeme Harper Hackenbush health education films health films Hollywood horror hospital human Huston's film ideology images individual interview issues John Huston Leifer Light London Lorenzo's Oil Louis Pasteur male Marx Brothers masculinity medical biopic medical film medical science medicine melodrama Menninger modern moral movie Neuropsychiatric nursing nursing films Odone Pasteur patients physical political popular portrayal portrayed pregnancy produced profession professional psychiatric public health relationship representations role Rosemary Rosemary's Baby Routledge scene screen screwball comedy sequence sexual Shades of Grey Sheree Rose sickness narratives social story suggested theory University Press viewer Vincent woman women York

