Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, MacbethMacmillan and Company, limited, 1922 - Всего страниц: 498 |
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Стр. 17
... passions , tendencies , ideas , principles , forces , which animate these persons or groups , we may say that two of such passions or ideas , re- garded as animating two persons or groups , are the combatants . ) The love of Romeo and ...
... passions , tendencies , ideas , principles , forces , which animate these persons or groups , we may say that two of such passions or ideas , re- garded as animating two persons or groups , are the combatants . ) The love of Romeo and ...
Стр. 18
... passion or impersonal principle ; doubts , desires , scruples , ideas — whatever can animate , shake , possess , and drive a man's soul . In a Shakespearean tragedy some such forces are shown in 18 LECT . I. SHAKESPEAREAN TRAGEDY.
... passion or impersonal principle ; doubts , desires , scruples , ideas — whatever can animate , shake , possess , and drive a man's soul . In a Shakespearean tragedy some such forces are shown in 18 LECT . I. SHAKESPEAREAN TRAGEDY.
Стр. 19
... passions conflicting , and incorporated them in persons ; or that there is any necessity for a reader to define for himself the particular forces which conflict in a given case . in some respect much above the average level of humanity ...
... passions conflicting , and incorporated them in persons ; or that there is any necessity for a reader to define for himself the particular forces which conflict in a given case . in some respect much above the average level of humanity ...
Стр. 20
... passion , or will attains is them a terrible force . In almost all we observe a marked one - sidedness , a pre- disposition in some particular direction ; a total incapacity , in certain circumstances , of resisting the force which ...
... passion , or will attains is them a terrible force . In almost all we observe a marked one - sidedness , a pre- disposition in some particular direction ; a total incapacity , in certain circumstances , of resisting the force which ...
Стр. 37
... sides or aspects which we can neither separate nor reconcile . The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection : we LECT . I. 37 THE SUBSTANCE OF TRAGEDY.
... sides or aspects which we can neither separate nor reconcile . The whole or order against which the individual part shows itself powerless seems to be animated by a passion for perfection : we LECT . I. 37 THE SUBSTANCE OF TRAGEDY.
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Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear, Macbeth - the ... A. C. Bradley Недоступно для просмотра - 2012 |
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action Albany answer Antony and Cleopatra appears Banquo believe blood Cassio catastrophe cause certainly character conflict Cordelia Coriolanus Cymbeline death deed Desdemona doubt drama Duncan Edgar Edmund effect Emilia evil fact fate father fear feel follows fool force Ghost Gloster Goneril Hamlet heart hero Horatio horror husband Iago Iago's idea imagination impression Julius Caesar Kent King Lear Lady Macbeth Laertes lago Lear's less lines Macduff madness means melancholy merely mind moral murder nature never once Ophelia Othello pain passage passion perhaps persons pity play plot Polonius probably question reader reason refer Regan regard Richard III Romeo Romeo and Juliet scene seems sense Shake Shakespeare Shakespearean tragedy soliloquy soul speak speech suppose surely thee things thou thought Timon tion tragedy tragic Troilus and Cressida truth whole wife Witches words