The Quarterly Musical Magazine and Review, Том 8Baldwin, Craddock, and Joy, 1826 |
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Стр. 3
... nature convey no meaning at all , others that they confound all sense by a multiplicity of notes- some call them embroidery , some tinsel , some graces , while some on the contrary consider that the perfection of art lies in the dis ...
... nature convey no meaning at all , others that they confound all sense by a multiplicity of notes- some call them embroidery , some tinsel , some graces , while some on the contrary consider that the perfection of art lies in the dis ...
Стр. 5
... nature of effect . This theory is indeed only that of all musical composition - the echo of sound to sense . But ... natural objects and mark intellectual trains . Examples of the former are to be found in Purcell , but we must chiefly ...
... nature of effect . This theory is indeed only that of all musical composition - the echo of sound to sense . But ... natural objects and mark intellectual trains . Examples of the former are to be found in Purcell , but we must chiefly ...
Стр. 10
... nature of the divisions employed by Purcell . In the first place we must have regard to the time in which the pieces were played , and from the passages themselves , as well as the subsequent improvement of execution , it will be ...
... nature of the divisions employed by Purcell . In the first place we must have regard to the time in which the pieces were played , and from the passages themselves , as well as the subsequent improvement of execution , it will be ...
Стр. 14
... nature of the voices for which they are written . It should seem also that Farinelli was celebrated for the brilliancy of his shake , an ornament which has apparently fallen into disrepute amongst Italians . * In a song which he sung in ...
... nature of the voices for which they are written . It should seem also that Farinelli was celebrated for the brilliancy of his shake , an ornament which has apparently fallen into disrepute amongst Italians . * In a song which he sung in ...
Стр. 17
... nature of the passages he executed , the expression of his songs , or the admiration with which he was re- received ... natural formation of his lungs , and artificial œconomy of breath , he was able to protract to such a length as to ...
... nature of the passages he executed , the expression of his songs , or the admiration with which he was re- received ... natural formation of his lungs , and artificial œconomy of breath , he was able to protract to such a length as to ...
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accompaniment adapted Aladdin amongst Antient appears Aria arranged ballad bassoon beautiful Beethoven Begnis Braham Cavatina Chappell character Chorus clarionet composer composition concerts degree Der Freischutz Dizi duet Duetto effect elegant English excellent execution expression feeling festival flute former genius give Glee grace Grand Handel harmony harp Haydn heard honour imagination instruments Italian King's Theatre London Madame Caradori Madame Pasta manner master Medea melody ment Messrs mind Miss Paton Miss Stephens Moscheles movement Mozart musician nature never opera oratorios orchestra original Overture Padre passages passion Pasta perfect performance perhaps Piano Forte pieces poetry possess present principal produced Recit rondo Rossini selection Signor Curioni singers singing Sir Huon song sound species spirit stringed instruments style sufficient sung sweet symphony talent taste Terzetto theatre thing tion tone trio VIII violin Violoncello vocal voice Weber whole words writing
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Стр. 1 - Tell me where is fancy bred, Or in the heart or in the head ? How begot, how nourished? Reply, reply. It is engender'd in the eyes, With gazing fed ; and fancy dies In the cradle where it lies. Let us all ring fancy's knell : I'll begin it, — Ding, dong, bell ALL.
Стр. 43 - And when he had consulted with the people, he appointed singers unto the LORD, and that should praise the beauty of holiness, as they went out before the army, and to say, Praise the LORD ; for his mercy endureth for ever.
Стр. 45 - Is it true, O Shadrach, Meshach, and Abed-nego, do not ye serve my gods, nor worship the golden image which I have set up ? Now if ye be ready that at what time ye hear the sound of the cornet, flute, harp, sackbut, psaltery, and dulcimer, and all kinds of music...
Стр. 44 - He said unto them, Give place: for the maid is not dead, but sleepeth.
Стр. 37 - Then sang Moses and the children of Israel this song unto the Lord, and spake, saying, I will sing unto the Lord, for he hath triumphed gloriously: The horse and his rider hath he thrown into the sea.
Стр. 38 - Make thee two trumpets of silver; of a whole piece shalt thou make them: that thou mayest use them for the calling of the assembly, and for the journeying of the camps.
Стр. 40 - So the priests and the Levites sanctified themselves to bring up the ark of the LORD God of Israel. 15 And the children of the Levites bare the ark of God upon their shoulders with the staves thereon, as Moses commanded according to the word of the LORD.
Стр. 42 - But now bring me a minstrel. And it came to pass, when the minstrel played, that the hand of the Lord came upon him.
Стр. 96 - And now, my race of terror run, Mine be the eve of tropic Sun ! No pale gradations quench his ray, No twilight dews his wrath allay ; With disk like battle-target red, He rushes to his burning bed, Dyes the wide wave with bloody light, Then sinks at once — and all is night.
Стр. 17 - ... of breath, he was able to protract to such a length as to excite incredulity even in those who heard him; who, though unable to detect the artifice, imagined him to have had the latent help of some instrument by which the tone was continued, while he renewed his powers by respiration.