A rush-light was casting its fitful glare O'er the damp and dingy walls, Where the lizard hath made his slimy lair, But the meanest thing in this lonesome room Where he sat like a ghost in an empty tomb, He had bolted the window and barred the door, And felt the fastening o'er and o'er, And trembled with silent fear, And started and shuddered at every sound "Ha, ha!" laughed the miser: "I'm safe at last, From the drenching rain and driving blast, I am cold and wet with the icy rain, "But I'll take a sip of the precious wine: It was given long since by a friend of mine I have kept it for many years." So he drew a flask from a mouldy nook, And drank of its ruby tide; And his eyes grew bright with each draught he took And his bosom swelled with pride. "Let me see: let me see!" said the miser then, "Tis some sixty years or more Since the happy hour when I began To heap up the glittering store; And well have I sped with my anxious toil, As my crowded chest will show: I've more than would ransom a kingdom's spoil, Or an emperor could bestow." He turned to an old worm-eaten chest, And cautiously raised the lid, And then it shone like the clouds of the west, With the sun in their splendor hid: And gem after gem, in precious store, Are raised with exulting smile: And he counted and counted them o'er and o'er, Why comes the flush to his pallid brow; THE OLD HOUSE IN THE MEADOW. It stands in a sunny meadow, The house so mossy and brown, With its cumbrous old stone chimneys, And the gray roof sloping down. The trees fold their green arms round it— And the winds go chanting through them, The cowslips spring in the marshes, And beside the brook in the pasture Their children have gone and left them; And the old wife's ears are failing, As she harks to the well-known tone That won her heart in her girlhood,— She thinks again of her bridal How, dressed in her robes of white, Oh! the morn is as rosy as ever, But the rose from her cheek is fled: And the sunshine still is golden, But it falls on a silvery head. And the girlhood dreams, once vanished, With the thrill of spring-time's prime. And looking forth from the window, Though dimmed her eye's bright azure, They sat in peace in the sunshine Like a bridal pair they traversed That leads to the beautiful city Whose builder and maker is God. Perhaps, in that miracle country, They will give her her lost youth back, And the flowers of the vanished spring-time Will bloom in the spirits track. One draught from the living waters Shall call back his manhood prime: And eternal years shall measure The love that outlasted time. But the shapes that they left behind them, The wrinkles and silver hair Made holy to us by the kisses The angel had printed there We will hide away 'neath the willows, And we'll suffer no tell-tale tombstone, TRUE AND FALSE GLORY.-D. C. EDDY. The world ascribed to Napoleon great and noble qualities. His banner waved in triumph over many a bloody field; carnage, and famine, and death attended his steps, and like the genius of evil, he stalked abroad. He was doubtless a splendid general and a brilliant emperor; but the child who wandered over the field, after his most tri umphant charge, and moistened with water the lips of the dying soldiers there, was far more exalted in the scale of being than was the plumed and epauletted chieftain. Nelson was a skillful officer, and died, as the world says, "in all his glory." His banner was his shroud, the roar of cannon was his dirge, and the shout of victory was his requiem. In the list of naval heroes his name stands foremost, and they who love the navy have learned to honor him. But the poor sailor who, a few months since, in yonder city, braved the fire, and at the risk of his own life saved a mother's only child, gained a truer glory than ever shone around the victories of the famous admiral. How false, how unjust the estimate which the world places upon the actions of men! He who dies upon the battle-field-who rushes to strife and carnage—whose hands are dripping with human gore-is a man of honor! Parliaments and senates return him thanks, and whole nations unite in erecting a monument over the spot where rest his remains. But he whose task it is to dry up the stream of blood-to mitigate the anguish of earth-to lift man up, and make him what God designed him to be-dies without a tongue to speak his eulogy, or a monument to mark his fall. If you would show yourself a man in the truest and noblest sense, go not to yonder tented field, where death hovers, and the vulture feasts himself upon human victims! Go not where men are carving monuments of marble to per petuate names which will not live in our own grateful memory! Go not to the dwellings of the rich! Go not to the palaces of kings! Go not to the halls of merriment and pleasure! Go rather to the poor and the helpless. Go to the widow, and relieve her woe. Go to the orphan, and speak words of comfort. Go to the lost, and save him. Go to the fallen, and raise him up. Go to the sinner, and whis per in his ear words of eternal life. THE OLD MAN IN THE WOOD. There was an old man who lived in the wood, As you shall plainly see, He thought he could do more work in a day Than his wife could do in three. "With all my heart," the old woman said, You shall stay at home to-day, "And you must milk the tiny cow, And you must feed the little pigs "And you must watch the speckled hen, Lest she should go astray; Not forgetting the spool of That I spin every day." yarn The old woman took her stick in her hand, The old man put the pail on his head, But Tiny she winced, and Tiny she flinched, And Tiny she gave him a kick on the shin, And a "ho, Tiny!" and a "lo, Tiny!" And then he went to feed the pigs He knocked his nose against the shed, And then he watched the speckled hen, But he quite forgot the spool of yarn, That his wife spun every day. And when the old woman came home at night, He said he could plainly see, That his wife could do more work in a day Than he could do in three. |