The English Prosody: With Rules Deduced from the Genius of Our Language, and the Examples of the Poets |
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Стр. v
Of Emphasis . Emphasis is accent augmented ; it is a stress of voice which falls
on words in a sentence , which are more im . portant and significant . It falls
promiscuously on words of one syllable and those of more than one ; and when it
falls ...
Of Emphasis . Emphasis is accent augmented ; it is a stress of voice which falls
on words in a sentence , which are more im . portant and significant . It falls
promiscuously on words of one syllable and those of more than one ; and when it
falls ...
Стр. 3
Orthoepic sounds are the groundwork of language ; and in order to give
language its finishing stroke , these are varied by accent , cadence , emphasis ,
and tones . Of Accent . Accent is a stress of voice which falls on a syllable , or
syllables in ...
Orthoepic sounds are the groundwork of language ; and in order to give
language its finishing stroke , these are varied by accent , cadence , emphasis ,
and tones . Of Accent . Accent is a stress of voice which falls on a syllable , or
syllables in ...
Стр. 4
These are not accent , emphasis , or cadence ; but are variations of these . They
are mostly perceptible on syllables which are accented and emphatical ; and , as
far as they relate to the formation of numbers , may be included in the former .
These are not accent , emphasis , or cadence ; but are variations of these . They
are mostly perceptible on syllables which are accented and emphatical ; and , as
far as they relate to the formation of numbers , may be included in the former .
Стр. 5
These are not accent , emphasis , or cadence ; but are variations of these . They
are mostly perceptible on syllables which are accented and emphatical ; and , as
far as they relate to the formation of numbers , may be included in the former .
These are not accent , emphasis , or cadence ; but are variations of these . They
are mostly perceptible on syllables which are accented and emphatical ; and , as
far as they relate to the formation of numbers , may be included in the former .
Стр. 126
Give every word its proper emphasis , and every syllable its proper accent and
cadence . This rule is not to be observed in every case , in reading verse , as in
reading prose ; but may need some variation in a few certain cases . 1. In reading
...
Give every word its proper emphasis , and every syllable its proper accent and
cadence . This rule is not to be observed in every case , in reading verse , as in
reading prose ; but may need some variation in a few certain cases . 1. In reading
...
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The English Prosody; with Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Недоступно для просмотра - 2013 |
The English Prosody: With Rules Deduced from the Genius of Our Language, and ... Asa Humphrey Недоступно для просмотра - 2019 |
Часто встречающиеся слова и выражения
accent adapted airs amphibrachic anapæstic antient apply arranged bards cadence called CHAPTER cited common commonly composed composition connection constitute construction contains correspondence couplet dactyle described descriptive diversified emphasis English equal examples expression falls feet figures foot foregoing former four frequently genius give Greeks harmony hence iambic verse irregular kinds of feet kinds of verse language length less lyric manner marks measure metre mode movement names nature necessary needed never numbers o'er observed occasionally occur odes pause pertaining poems poetic poetry poets principles proper properly prose prosody pyrrhic quantity Questions readers reading reading verse regular Remarks require respect rhyme rise rules scansion SECT seen sense sentiment short similar simple sometimes song sounds spondee stand stanza style syllables syntax thě thee things thou tones treated trochaic trochee varied various voice wanting writers written