Genre and Ethics: The Education of an Eighteenth-century CriticUniversity of Delaware Press, 2002 - Всего страниц: 284 "The study addresses the following kinds of questions: Why does genre need ethics? Why does ethics need genre? How is ethics related to and distinguished from ideology as currently used in cultural studies? How does a generic ethical method come to terms with history and historical change? How is a generic ethical method related to religion? Does genre reinforce the concept of the ethical agent? This book will therefore have a broad audience, including scholars whose fields range from the Renaissance to the present, theorists and philosophers whose interests include ethics, cultural studies, and ideologies, and educationists pursuing methods for graduates and undergraduates. The autobiographical introduction serves as the "hook," as our creative writers say, for this audience. Generically, it is experimental, being at once scholarly, pedagogical, and autobiographical."--BOOK JACKET. |
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Стр. 18
... clearly also applies to James Cameron , the writer and director of the film . The love story within this frame — the courtship of Rose ( who survives to tell the tale ) and Jack — mirrors the affection that the salvage crew comes to ...
... clearly also applies to James Cameron , the writer and director of the film . The love story within this frame — the courtship of Rose ( who survives to tell the tale ) and Jack — mirrors the affection that the salvage crew comes to ...
Стр. 19
... clear in general conversation it requires some further explanation . Ordinarily moral judgments are assertions that are not subject to question , such as , the innocence of children , the sanctity of marriage and motherhood , love as ...
... clear in general conversation it requires some further explanation . Ordinarily moral judgments are assertions that are not subject to question , such as , the innocence of children , the sanctity of marriage and motherhood , love as ...
Стр. 20
... clear from this discussion was that the differences about the genre of Titanic were a function of different views of the ethical goal of the film . Ethical Telos Versus Other Kinds Of Teloi Some students asked how ethical goals are to ...
... clear from this discussion was that the differences about the genre of Titanic were a function of different views of the ethical goal of the film . Ethical Telos Versus Other Kinds Of Teloi Some students asked how ethical goals are to ...
Стр. 21
... clear whether the executives pay for this instruction , my presumption is that Richard Olivier's goal is to increase the range of the theatrical audience for and appre- ciation of Shakespeare's Henry V. But the unanswered ethical ...
... clear whether the executives pay for this instruction , my presumption is that Richard Olivier's goal is to increase the range of the theatrical audience for and appre- ciation of Shakespeare's Henry V. But the unanswered ethical ...
Стр. 22
... clearly being avoided by myself and others in my area of specialization . For instance , one of my first longer publications was on the sublime . In response to a student question I referred to the introduction to my edition of Samuel ...
... clearly being avoided by myself and others in my area of specialization . For instance , one of my first longer publications was on the sublime . In response to a student question I referred to the introduction to my edition of Samuel ...
Содержание
49 | |
70 | |
Critical Ideology in The Beaux and Belles Stratagem | 97 |
Critical Judgment in MacFlecknoe | 117 |
Ethical Agency in The Double Mistress | 137 |
History Genre and Ethics in The Life of Richard Savage | 162 |
Genre and Teleology The Faith of Criticism | 188 |
Literary History The Pastoral Elegy from Lycidas to the Present | 221 |
Pedagogical Postscript | 249 |
Notes | 265 |
Bibliography | 270 |
Index | 276 |
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Genre and Ethics: The Education of an Eighteenth-century Critic Edward Tomarken Просмотр фрагмента - 2002 |
Часто встречающиеся слова и выражения
Adonais alternative aristocratic artistic assertion attempt Auden Bandele beauty Beaux Behn believe Belle's Stratagem biography Brendry Burney chapter character classroom Cohen conception concern conclusion conventions culture death demonstrate Doricourt double mistress drama Dryden eighteenth century element ethical end Evelina explain extraliterary Farquhar Flecknoe genre analysis genre and ethics goal Guido Hannah Cowley Hogarth ideology Indamora individual interpretation involves Jaques Johnson Letitia Levinas Lindamira literary literature loco-descriptive love novel Lycidas MacFlecknoe marriage Martin metacritical Mode moral narrative Norton editors novel Oroonoko Oroonoko and Imoinda Orville Oxford pastoral elegy period plate play poem poet poetry political postmodern problem question Ralph Cohen Rawsley relationship responsibility Restoration comedy Richard Savage romance Rosalind Samuel Johnson satire Savage's scene Scriblerians seen sense Shadwell Shadwell's slaves story suggests teleology tradition tragedy Trefry understand University Press W. B. Yeats William Hogarth writing Yeats
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Стр. 235 - Blind, old, and lonely, when his country's pride The priest, the slave, and the liberticide Trampled and mocked with many a loathed rite Of lust and blood; he went, unterrified, Into the gulf of death; but his clear Sprite Yet reigns o'er earth; the third among the sons of light.
Стр. 126 - ALL human things are subject to decay, And, when Fate summons, monarchs must obey. This Flecknoe found, who, like Augustus, young Was called to empire, and had governed long. In prose and verse was owned, without dispute, Through all the realms of Nonsense absolute.
Стр. 133 - In thy felonious heart though venom lies, It does but touch thy Irish pen, and dies. Thy genius calls thee not to purchase fame In keen iambics, but mild anagram. Leave writing plays, and choose for thy command Some peaceful province in acrostic land. There thou may'st wings display and altars raise, And torture one poor word ten thousand ways. Or, if thou wouldst thy different talents suit, Set thy own songs, and sing them to thy lute.
Стр. 167 - ... nothing will supply the want of prudence; and that negligence and irregularity, long continued, will make knowledge useless, wit ridiculous, and genius contemptible.
Стр. 224 - Thus sang the uncouth swain to the oaks and rills, While the still Morn went out with sandals gray ; He touched the tender stops of various quills, With eager thought warbling his Doric lay : And now the sun had stretched out all the hills, And now was dropt into the western bay ; At last he rose, and twitched his mantle blue ; To-morrow to fresh woods and pastures new.
Стр. 224 - Enow of such, as for their bellies' sake Creep and intrude and climb into the fold! Of other care they little reckoning make Than how to scramble at the shearers' feast, And shove away the worthy bidden guest; Blind mouths! that scarce themselves know how to hold A sheep-hook, or have learned aught else the least That to the faithful herdman's art belongs!
Стр. 138 - A perfect judge will read each work of wit With the same spirit that its author writ ; Survey the whole, nor seek slight faults to find Where nature moves, and rapture warms the mind ; Nor lose, for that malignant dull delight, The generous pleasure to be charm'd with wit.
Стр. 244 - Time that is intolerant Of the brave and innocent, And indifferent in a week To a beautiful physique, Worships language and forgives 50 Everyone by whom it lives; Pardons cowardice, conceit, Lays its honours at their feet.
Стр. 167 - This relation will not be wholly without its use, if those, who languish under any part of his sufferings, shall be enabled to fortify their patience, by reflecting that they feel only those afflictions from which the abilities of Savage did not exempt him ; or...