The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 43
... things going , making us laugh — an antic disposi- tion taking the audience by storm . * Hamlet in the middle acts is samuna - like in his mixture of rudeness , disguise , disorderly appearance ( down - gyved , he dresses with the ...
... things going , making us laugh — an antic disposi- tion taking the audience by storm . * Hamlet in the middle acts is samuna - like in his mixture of rudeness , disguise , disorderly appearance ( down - gyved , he dresses with the ...
Стр. 95
... things , at least , seem to happen together at such moments , which allow for a sense of dangerous freedom exercised satisfyingly on stage . A certain class of heroes is discovered , and , even more important , a means is found to place ...
... things , at least , seem to happen together at such moments , which allow for a sense of dangerous freedom exercised satisfyingly on stage . A certain class of heroes is discovered , and , even more important , a means is found to place ...
Стр. 113
... things . Not a coming into the range of vision , nor a staring , but a process by which the mind inspects and possesses in inspection , as it possesses its own thoughts . The theater is thus , though not a place for contemplation ...
... things . Not a coming into the range of vision , nor a staring , but a process by which the mind inspects and possesses in inspection , as it possesses its own thoughts . The theater is thus , though not a place for contemplation ...
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achievement acting action actor actor and audience actor-as-character actor's art aggression appearance appetite Aristotle audience's awareness become body Brecht Brechtian ceremony character Chekhov Cleopatra comedy comic course dangerous dead death define described dialogue Dionysus disguise drama dramatic hero dumbshow effect ego-universe Elizabethan emotions energy example exciting experience expression Falstaff fear feel freedom Garrick gesture ghosts hamartia Hamlet haunting histrionic human Ibsen's identification identity imagine imitation impersonation impulse Jacques Roux Jean-Louis Barrault kind maenads Marat/Sade mask means mimesis mind notion O. B. Hardison Oedipus on-stage ordinary Orokolo Othello Pentheus performance perhaps Piaget play play-acting play's playwright plot present primitive protection realism reality relation René Spitz response revenge risk ritual role sacred scene Schechner script seems self-definition sense Shakespeare simply speech spirit stage style suggest symbols T. S. Eliot Tamburlaine terrific theater theatrical theory things threatening thrust tion tragedy uncanny victim word