The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 75
... sense . ' Scapin's ingenuity , Figaro's social intelligence , Mirabell's sensibility , Rosalind's clear- headedness ... sense , even in the sense that public heroes or the heroes of song and story are . Even if he is attractive — in the ...
... sense . ' Scapin's ingenuity , Figaro's social intelligence , Mirabell's sensibility , Rosalind's clear- headedness ... sense , even in the sense that public heroes or the heroes of song and story are . Even if he is attractive — in the ...
Стр. 123
... sense , the discovery of identity is very often an explicit subject of drama , never very far from the surface of ... sense I have defined , is far more broadly and deeply influential than this . Even plays which obviously have to do ...
... sense , the discovery of identity is very often an explicit subject of drama , never very far from the surface of ... sense I have defined , is far more broadly and deeply influential than this . Even plays which obviously have to do ...
Стр. 161
... sense of significance and definition — the sense , for instance , that a ground exists for our acts , both in the world and in us , the sense that our acts hold together to form an action . But even in role playing , we feel this ...
... sense of significance and definition — the sense , for instance , that a ground exists for our acts , both in the world and in us , the sense that our acts hold together to form an action . But even in role playing , we feel this ...
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achievement acting action actor actor and audience actor-as-character actor's art aggression appearance appetite Aristotle audience's awareness become body Brecht Brechtian ceremony character Chekhov Cleopatra comedy comic course dangerous dead death define described dialogue Dionysus disguise drama dramatic hero dumbshow effect ego-universe Elizabethan emotions energy example exciting experience expression Falstaff fear feel freedom Garrick gesture ghosts hamartia Hamlet haunting histrionic human Ibsen's identification identity imagine imitation impersonation impulse Jacques Roux Jean-Louis Barrault kind maenads Marat/Sade mask means mimesis mind notion O. B. Hardison Oedipus on-stage ordinary Orokolo Othello Pentheus performance perhaps Piaget play play-acting play's playwright plot present primitive protection realism reality relation René Spitz response revenge risk ritual role sacred scene Schechner script seems self-definition sense Shakespeare simply speech spirit stage style suggest symbols T. S. Eliot Tamburlaine terrific theater theatrical theory things threatening thrust tion tragedy uncanny victim word