The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 64
... least to provide a convenient point from which to trace its history . While his characters never consciously stand outside the world in the sense I mean , their notions of attachment to the world carry a charge of hopelessness , and by ...
... least to provide a convenient point from which to trace its history . While his characters never consciously stand outside the world in the sense I mean , their notions of attachment to the world carry a charge of hopelessness , and by ...
Стр. 95
... least , seem to happen together at such moments , which allow for a sense of dangerous freedom exercised satisfyingly on stage . A certain class of heroes is discovered , and , even more important , a means is found to place them in a ...
... least , seem to happen together at such moments , which allow for a sense of dangerous freedom exercised satisfyingly on stage . A certain class of heroes is discovered , and , even more important , a means is found to place them in a ...
Стр. 135
... the last hundred years , the actors , the characters , and the audience are jointly engaged in uncovering at least one character's motivation . Just as Lee Cobb had to construct Willy Loman out of details Theater and World 135.
... the last hundred years , the actors , the characters , and the audience are jointly engaged in uncovering at least one character's motivation . Just as Lee Cobb had to construct Willy Loman out of details Theater and World 135.
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