The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 68
... imagine leaping up at this conclusion to shout , " Strike ! Strike ! " as the first - nighters at Lefty did ? Against what ? For whom ? The rights of madmen ? Noth- ing is changed by the fact that these are our rights too , that Jacques ...
... imagine leaping up at this conclusion to shout , " Strike ! Strike ! " as the first - nighters at Lefty did ? Against what ? For whom ? The rights of madmen ? Noth- ing is changed by the fact that these are our rights too , that Jacques ...
Стр. 84
... Imagine yourself playing Hamlet and , after a few min- utes , suddenly forgetting the lines . The collapse and fear you feel come from and represent the loss of a protection • D that has allowed you to carry on your play , 84 * THE ...
... Imagine yourself playing Hamlet and , after a few min- utes , suddenly forgetting the lines . The collapse and fear you feel come from and represent the loss of a protection • D that has allowed you to carry on your play , 84 * THE ...
Стр. 106
... imagine heroic occupations , that is , occupations which can be filled with the haunting presence of a free man . When , as we often do , we describe human activity as " role playing , " we usually mean not simply that we see our life ...
... imagine heroic occupations , that is , occupations which can be filled with the haunting presence of a free man . When , as we often do , we describe human activity as " role playing , " we usually mean not simply that we see our life ...
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achievement acting action actor actor and audience actor-as-character actor's art aggression appearance appetite Aristotle audience's awareness become body Brecht Brechtian ceremony character Chekhov Cleopatra comedy comic course dangerous dead death define described dialogue Dionysus disguise drama dramatic hero dumbshow effect ego-universe Elizabethan emotions energy example exciting experience expression Falstaff fear feel freedom Garrick gesture ghosts hamartia Hamlet haunting histrionic human Ibsen's identification identity imagine imitation impersonation impulse Jacques Roux Jean-Louis Barrault kind maenads Marat/Sade mask means mimesis mind notion O. B. Hardison Oedipus on-stage ordinary Orokolo Othello Pentheus performance perhaps Piaget play play-acting play's playwright plot present primitive protection realism reality relation René Spitz response revenge risk ritual role sacred scene Schechner script seems self-definition sense Shakespeare simply speech spirit stage style suggest symbols T. S. Eliot Tamburlaine terrific theater theatrical theory things threatening thrust tion tragedy uncanny victim word