The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 57
... hero is always deinos in this sense — and , as the chorus goes on to tell us , his wonderful , terrible strangeness is reflected in powers of mind and spirit that challenge human limit , his godlike ( though not godly ) sway over life ...
... hero is always deinos in this sense — and , as the chorus goes on to tell us , his wonderful , terrible strangeness is reflected in powers of mind and spirit that challenge human limit , his godlike ( though not godly ) sway over life ...
Стр. 63
... hero or anti - hero , the manipulator , the historical hero as knowledgeable man ( as in Shaw or Giraudoux ) , the saint , and the improviser or metatheatri- cal hero who openly makes his stand as a self - conscious actor . But their ...
... hero or anti - hero , the manipulator , the historical hero as knowledgeable man ( as in Shaw or Giraudoux ) , the saint , and the improviser or metatheatri- cal hero who openly makes his stand as a self - conscious actor . But their ...
Стр. 107
... hero I have described earlier , the hero who has fallen out of the world . And the falseness , pathos , exposure of his situation seemed to point more and more directly to the situation of the actor himself . The plays of Shaw , Brecht ...
... hero I have described earlier , the hero who has fallen out of the world . And the falseness , pathos , exposure of his situation seemed to point more and more directly to the situation of the actor himself . The plays of Shaw , Brecht ...
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