The Actor's Freedom: Toward a Theory of DramaViking Press, 1975 - Всего страниц: 180 The author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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Стр. 30
... discover through the medium , as I discover a character in a novel through words . There are , to be sure , " events " in the script , and it is a useful task to distinguish them from the events in Fluids or the Tiwi trial by combat ...
... discover through the medium , as I discover a character in a novel through words . There are , to be sure , " events " in the script , and it is a useful task to distinguish them from the events in Fluids or the Tiwi trial by combat ...
Стр. 122
... discover that it is not identical with the universe . To be aware of selfhood is to be aware of loss : You are merely a self , which is to say , something exposed - life with the rest of the world re- moved assaulted by otherness from ...
... discover that it is not identical with the universe . To be aware of selfhood is to be aware of loss : You are merely a self , which is to say , something exposed - life with the rest of the world re- moved assaulted by otherness from ...
Стр. 135
... discover or reveal a complex of subtextual secrets that define their situation , and in which the main action turns on this discovery . Thus , in Rosmersholm , Rosmer and Rebecca West discover for us layer after layer of motivation ...
... discover or reveal a complex of subtextual secrets that define their situation , and in which the main action turns on this discovery . Thus , in Rosmersholm , Rosmer and Rebecca West discover for us layer after layer of motivation ...
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