The Actor's Freedom: Toward a Theory of DramaThe author draws on maenadism, shamanism, pagan and Christian religious traditions plus psychology and psychiatry to demonstrate how much more acting means than mere imitation. |
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achievement acting action activity actor actual aggression allows animate appearance audience awareness become begin body carries character child comedy comic complete connection consider course dangerous dead death define described desire dialogue discover drama effect Elizabethan emotions energy especially example exciting experience expression fact fear feel felt figure finally force freedom ghosts give Hamlet haunting hero human identification identity imagine imitation important impulse interest kind least limits lives look means mind move movement natural never notion once ordinary performance perhaps person play plot possess possible present protection question reality reason refer relation represent response revenge risk ritual role scene script seems sense Shakespeare significance simply situation society speech spirit stage suggest theater theatrical theory things threatening thrust tion tragedy true
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Библиографические данные
| Название | The Actor's Freedom: Toward a Theory of Drama |
| Автор | Michael Goldman |
| Издатель | Viking Press, 1975 |
| Владелец оригинала: | Мичиганский университет |
| Оцифровано | 6 дек 2007 |
| ISBN | 0670103470, 9780670103478 |
| Количество страниц | Всего страниц: 180 |
| Экспорт цитаты | BiBTeX EndNote RefMan |