SONGS WITHOUT SENSE. FOR THE PARLOR AND PIANO. I. THE PERSONIFIED SENTIMENTAL. AFFECTION's charm no longer gilds But cold Oblivion seeks to fill Though Friendship's offering buried lies I see thee whirl in marble halls, Deceit has marked thee for her own; Inconstancy the same; And Ruin wildly sheds its gleam II. THE HOMELY PATHETIC. The dews are heavy on my brow; Oh! lift me ere my spirit sinks, And ere my senses fail : Place me once more, O mother dear! The old fence-rail, the old fence-rail! Of my first pipe arose : O mother, dear! these agonies Are far less keen than those. I know where lies the hazel dell, I know the cot of Nettie Moore, Beside the days when once I sat THAT HEATHEN CHINEE. TABLE MOUNTAIN, 1870. WHICH I wish to remark And my language is plainThat for ways that are dark And for tricks that are vain, The heathen Chinee is peculiar, Which the same I would rise to explain. Ah Sin was his name; And I shall not deny, In regard to the same What that name might imply, But his smile it was pensive and child-like, As I frequent remarked to Bill Nye. It was August the third; And quite soft was the skies; Which it might be inferred That Ah Sin was likewise; Yet he played it that day upon William Which we had a small game, It was Euchre. The same He did not understand; But he smiled as he sat by the table, With the smile that was child-like and bland. Yet the cards they were stocked In a way that I grieve, And my feelings were shocked At the state of Nye's sleeve: Which was stuffed full of aces and bowers, But the hands that were played By that heathen Chinee, And the points that he made Were quite frightful to see Till at last he put down a right bower, Which the same Nye had dealt unto me. |