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Стр. 20
SOTOBA - KOMACHI The NOH plays are the classical Japanese drama , traditionally the preserve of the Emperor's court , still regarded as the theatre of the sophisticated , as opposed to the more popular melodramatic Kabuki .
SOTOBA - KOMACHI The NOH plays are the classical Japanese drama , traditionally the preserve of the Emperor's court , still regarded as the theatre of the sophisticated , as opposed to the more popular melodramatic Kabuki .
Стр. 87
The play itself had a successful beginning in Boston during Temperance Week festivities of May , 1844. ... He played Mercutio in the first production of ROMEO AND JULIET ever acted in Boston , and alternated with Junius Brutus Booth in ...
The play itself had a successful beginning in Boston during Temperance Week festivities of May , 1844. ... He played Mercutio in the first production of ROMEO AND JULIET ever acted in Boston , and alternated with Junius Brutus Booth in ...
Стр. 123
His dream - play HANNELE ( 1893 ) and THE SUNKEN BELL ( 1897 ) employed poetic symbolism in the manner of Ibsen and brought him international recognition . His social plays are remarkable for their painstaking attention to detail and ...
His dream - play HANNELE ( 1893 ) and THE SUNKEN BELL ( 1897 ) employed poetic symbolism in the manner of Ibsen and brought him international recognition . His social plays are remarkable for their painstaking attention to detail and ...
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Содержание
SCENES FOR ONE MAN SCENES FOR ONE WOMAN AND TWO | 26 |
SCENES FOR ONE WOMAN The Drunkerd | 32 |
SCENES FOR TWO MEN Beggars Opera | 41 |
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Часто встречающиеся слова и выражения
acting actors ALVING arms beauty begins believe better BOUNCER bring brother BRUTUS CAESAR CASSIUS CATHLEEN character CHARLOTTE child CLEOPATRA comedy comes CYRANO DARCY daughter dear death don't door dream DUVAL ELIZABETH Enter exits eyes face father fear feel FIGARO FLORINDO FOIBLE follows girl give hand head hear heart heaven hold hope husband I'll IMOGEN JORDAN keep King kiss LADY laugh LEAR leave live look lord LYSISTRATA madam MARGUERITE MARIA married master mean MELISANDE MENAECHMUS MESSENIO mind morning mother never NICOLA night NOTES OLIVIA once OSWALD PELLEAS performed play poor scene speak stand sure talk tell thank theatre thee There's thing thou thought true TRUFFALDINO turn wife woman women write young