Shakespearean CriticismCengage Gale, 2001 - Всего страниц: 448 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Стр. 8
... fact alive . The long dialogue in Sicily before Florizel ar- rives with Perdita is wholly given to the question ... fact clear : they are not really at a cliff's edge . While Gloucester kneels to pray , Edgar's aside makes the moral fact ...
... fact alive . The long dialogue in Sicily before Florizel ar- rives with Perdita is wholly given to the question ... fact clear : they are not really at a cliff's edge . While Gloucester kneels to pray , Edgar's aside makes the moral fact ...
Стр. 186
... fact . It is , in its way , a remarkable fact . It leads to the conclusion that the first regular English tragedy was a self - conscious fusion of history and myth , with the history supplying the local habitation and the name , and the ...
... fact . It is , in its way , a remarkable fact . It leads to the conclusion that the first regular English tragedy was a self - conscious fusion of history and myth , with the history supplying the local habitation and the name , and the ...
Стр. 242
... fact- because of what Iachimo says when he emerges from the trunk . First , removing her bracelet , he comments that " this will witness outwardly / As strongly as the conscience does within " ( II.ii. 35-6 ) , calling our attention ...
... fact- because of what Iachimo says when he emerges from the trunk . First , removing her bracelet , he comments that " this will witness outwardly / As strongly as the conscience does within " ( II.ii. 35-6 ) , calling our attention ...
Другие издания - Просмотреть все
Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York