Shakespearean CriticismCengage Gale, 2001 - Всего страниц: 448 Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Стр. ix
... Associated University Presses , Inc. , 1992. 1992 by Associated University Presses , Inc. Reproduced by permission . - Foreman , Walter C. From " The Art of Dying , " in The Music of the Close : The Final Scenes of Shakespeare's ...
... Associated University Presses , Inc. , 1992. 1992 by Associated University Presses , Inc. Reproduced by permission . - Foreman , Walter C. From " The Art of Dying , " in The Music of the Close : The Final Scenes of Shakespeare's ...
Стр. x
... Associated University Presses , Inc. , 1995. © 1995 by Associated University Presses , Inc. Reproduced by permission . - Rackin , Phillis . From Stages of History : Shakespeare's English Chronicles . Cornell University Press , 1990 ...
... Associated University Presses , Inc. , 1995. © 1995 by Associated University Presses , Inc. Reproduced by permission . - Rackin , Phillis . From Stages of History : Shakespeare's English Chronicles . Cornell University Press , 1990 ...
Стр. 364
... ( associated with patterns of two ) yielding to sequence ( associated with three ) . The Second Witch's couplet is suf- fused with doublets of various kinds : " hurlyburly " ; the alternatives that are apparently meaningless to the ...
... ( associated with patterns of two ) yielding to sequence ( associated with three ) . The Second Witch's couplet is suf- fused with doublets of various kinds : " hurlyburly " ; the alternatives that are apparently meaningless to the ...
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Том 28 Просмотр фрагмента - 1984 |
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allusions Antony and Cleopatra Arthur audience Bastard becomes body characters Christian claim Claudius comedy Cordelia Coriolanus critics cultural dead death desire dramatic dying Elizabethan England English erotic essay Falstaff father final scene gender goddess Hamlet hath Henry Henry VI Hercules hero heterosexual homoerotic homoeroticism homosexual Hotspur human imagination Ixion James Juliet Juno King John King Lear Lear's London lovers Macbeth male marriage Mars medieval Midsummer Night's Dream mimetic moral murder myth mythical mythology nature Olivia Orsino Othello Ovid Ovid's play's plot political Pygmalion Queen Renaissance Richard Richard III ritual role Roman Romeo says seems sense sexual Shake Shakespeare Shakespeare's play sion sleep social sodomy Sonnet 20 sonnets soul speare's speech stage story succession suggests symbolic Talbot theatrical thee Theseus thou throne Timon tion tragedy tragic Twelfth Night University Press Viola Winter's Tale women words York