Autobiography & Postmodernism
Kathleen M. Ashley, Leigh Gilmore, Gerald Peters
Univ of Massachusetts Press, 1994 - Всего страниц: 318
Exploring the connections between autobiography and postmodernism, this book addresses self-representation in a variety of literature -- Native American, British, Chicana, immigrant, and lesbian, among others -- in genres as diverse as poetry, naming, and confession, photography, and the manifesto. The essays examine how different writers respond to the culturally specific pressures of genre, how these constraints are negotiated, and what self-representation reveals about the politics of identity.
In contrast to those critics of postmodernism who fear the dissolution of the active subject, the contributors here demonstrate that autobiography gives postmodernism a discourse through which to theorize human agency. The autobiographical subject that emerges is not the decentered human agent of so many versions of postmodernism but the producer of texts that call attention to the contradictions in dominant modes of self-representation and demonstrate the possibilities of writing from from other locations.
Contributors are Betty Bergland, Andrei Codrescu, Michael M. J. Fischer, Leigh Gilmore, David P. Haney, Paul Jay, Shirley Neuman, Christopher Ortiz, Sidonie Smith, Kirsten Wasson, and Hertha D. Wong.
Отзывы - Написать отзыв
The Politscs of Genre in Carmen Martin Gaites BACK ROOM
Confession Gender and Autobiographical Authority
Experimental Sondages in the Postmodern World
Reconstructing the Other
Dialogical Boundaries of Self in Antins PROMISED LAND
Autobiography and the Subject of Photography
Plains Indian Names and the Autobiographical Act
Autobiographical Boundaries in Wordsworths Farewell
Autobiography and the Construction of the Feminine Body
Notes on Contributors
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