Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to Social Custom" I have been led into an exploration of the way the social form of Elizabethan holidays contributed to the dramatic form of festive comedy. To relate this drama to holiday has proved to be the most effective way to describe its character. And this historical interplay between social and artistic form has an interest of its own: we can see here, with more clarity of outline and detail than is usually possible, how art develops underlying configurations in the social life of a culture."--C. L. Barber, in the Introduction |
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Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to ... Cesar Lombardi Barber Ограниченный просмотр - 2011 |
Shakespeare's Festive Comedy: A Study of Dramatic Form and Its Relation to ... Cesar Lombardi Barber Ограниченный просмотр - 2011 |
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action appears attitude awareness Bacchus become Berowne bring called carried Chambers character Christmas clowns comedy comes comic course court custom dance describes developed dramatic Dream Dymoke effect Elizabethan experience expression fact fairies Falstaff feeling festive figure folly fool give goes hath History holiday human humor imagination John keep kind king ladies language limits lines live London look Lord Lost Love's lovers magic Martin master meaning merry Midsummer mind misrule mock moment moral moves Nashe nature never night observes occasion pattern persons play poetry presented prince relation ritual role scene season seems sense Shakespeare Shylock social song sort speak speech spirit sport stage suggested Summer sweet talk tell thing thou traditional true turn Twelfth whole writing
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Of Chastity and Power: Elizabethan Literature and the Unmarried Queen Philippa Berry Недоступно для просмотра - 1994 |