The Plays of William Shakespeare ...: With the Corrections and Illustrations of Various Commentators, Том 1C. and A. Conrad & Company, 1809 |
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Стр. 3
... portrait of Shakspeare prefixed to the present edition , is a copy of the picture formerly belonging to Mr. Felton , now to Alderman Boydell , and at present at the Shakspeare Gallery , in Pall Mall . After what has been written on the ...
... portrait of Shakspeare prefixed to the present edition , is a copy of the picture formerly belonging to Mr. Felton , now to Alderman Boydell , and at present at the Shakspeare Gallery , in Pall Mall . After what has been written on the ...
Стр. 4
... portrait of that description could have occurred , and much less that he himself should have been instrumental in ... portraits , which are the best part of his works , have nothing but their scarcity to recommend them . He ...
... portrait of that description could have occurred , and much less that he himself should have been instrumental in ... portraits , which are the best part of his works , have nothing but their scarcity to recommend them . He ...
Стр. 5
... portrait described in the proposals of Mr. Richardson , was the work of a Flemish hand . It may also be observed , that the verses in praise of Droeshout's performance , were probably written as soon as they were be- spoke , and before ...
... portrait described in the proposals of Mr. Richardson , was the work of a Flemish hand . It may also be observed , that the verses in praise of Droeshout's performance , were probably written as soon as they were be- spoke , and before ...
Стр. 6
... portrait of Shakspeare as engraved by Martin Droeshout in 1623 . Having frequently been misled by similar reports founded on inaccuracy of observation or uncertainty of recollection , Mr. Steevens was desirous to see the portrait itself ...
... portrait of Shakspeare as engraved by Martin Droeshout in 1623 . Having frequently been misled by similar reports founded on inaccuracy of observation or uncertainty of recollection , Mr. Steevens was desirous to see the portrait itself ...
Стр. 7
... portrait is not painted on canvas , like the Chandos head , * but on wood . Little more of it than the entire ... portraits , as are painted on wood , to the size of such spare frames as he happens to have in his pos- session . + ...
... portrait is not painted on canvas , like the Chandos head , * but on wood . Little more of it than the entire ... portraits , as are painted on wood , to the size of such spare frames as he happens to have in his pos- session . + ...
Другие издания - Просмотреть все
The Plays of William Shakespeare: With the Corrections and ..., Том 1 William Shakespeare Полный просмотр - 1773 |
The Plays of William Shakespeare ...: With the Corrections and ..., Том 1 William Shakespeare Просмотр фрагмента - 1809 |
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acquainted ancient appears baptized Ben Jonson buried Cæsar censure character comedy conjecture corrupted criticism daughter death died dramatick edition editor Edward Nash Elizabeth English engraving errors favour genius gentleman give Hamlet hath honour imitation John Barnard Jonson Julius Cæsar King Henry labour language late Latin learning likewise living Love's Labour's Lost Malone married Nash nature never notes obscure observed opinion original passages perhaps pieces players plays poem poet poet's Pope portrait praise present printed publick published quarto reader Richard Richard III Romeo and Juliet says scene second folio seems Shak Shakspeare Shakspeare's shew Sir John stage Steevens Stratford Stratford-upon-Avon suppose theatre thee Theobald thing Thomas Thomas Nash Thomas Quiney thou thought tion Titus Andronicus tragedy translation Troilus and Cressida truth unto verse William Shakspeare words writer written
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Стр. 150 - He was the man who, of all modern and perhaps ancient poets, had the largest and most comprehensive soul. All the images of nature were still present to him, and he drew them, not laboriously, but luckily; when he describes anything, you more than see it, you feel it too.
Стр. 76 - All the world's a stage, And all the men and women merely players. They have their exits and their entrances, And one man in his time plays many parts, His acts being seven ages. At first the infant, Mewling and puking in the nurse's arms.
Стр. 71 - ... loved the man, and do honour his memory on this side idolatry as much as any. He was, indeed; honest, and of an open and free nature; had an excellent phantasy, brave notions, and gentle expressions, wherein he flowed with that facility that sometimes it was necessary he should be stopped.
Стр. 350 - And joyed to wear the dressing of his lines, Which were so richly spun, and woven so fit, As, since, she will vouchsafe no other wit. The merry Greek, tart Aristophanes, Neat Terence, witty Plautus, now not please ; But antiquated and deserted lie, As they were not of Nature's family.
Стр. 348 - Soul of the age! The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Стр. 359 - What needs my Shakespeare for his honoured bones, The labour of an age in piled stones ? Or that his hallowed relics should be hid Under a star-ypointing pyramid ? Dear son of memory, great heir of fame, What need'st thou such weak witness of thy name ? Thou in our wonder and astonishment Hast built thyself a livelong monument.
Стр. 41 - And though this, probably the first essay of his poetry, be lost, yet it is said to have been so very bitter, that it redoubled the prosecution against him...
Стр. 176 - Newly imprinted and enlarged to almost as much againe as it was, according to the true and perfect Coppie.
Стр. 122 - ... in the virtuous a disapprobation of the wicked ; he carries his persons indifferently through right and wrong, and at the close dismisses them without further care, and leaves their examples to operate by chance. This fault the barbarity of his age cannot extenuate ; for it is always a writer's duty to make the world better, and justice is a virtue independent on time or place.
Стр. 273 - To gild refined gold, to paint the lily, To throw a perfume on the violet, To smooth the ice, or add another hue Unto the rainbow, or with taper-light To seek the beauteous eye of heaven to garnish, Is wasteful, and ridiculous excess.