The Isle flies from me, and I must give but the outline.

The daughter of the old Baron de Bouvraye, one of the followers of William the Norman, and lord of the country for leagues along the northern shore of the Thames, was the court beauty of the time. With the Norman dignity of form, she had the Saxon beauty of countenance; for the Baron had wedded a Saxon heiress. The charms of the Lady Blanche de Bouvraye, were the theme of the whole race of troubadours; and the most popular poem of Guido de Spezzia was written on the incident of her dropping her wimple at a court ball. It was said that she had a thousand lovers; but it is certain, that suitors crowded from every part of Christendom to claim her hand-a number probably not diminished by the knowledge that she was to succeed to the immense possessions of the barony.

But, to the sorrow of some, the indignation of others, and the astonishment of all, the Lady Blanche laughed at the idea of love. William, not accustomed to have his orders disputed, commanded the beautiful heiress to fall in love with some one or other without a moment's delay. But she laughed at the herald who bore the command, and bade him tell his master, that though armies might be commanded, and crowns conquered, Blanche de Bouvraye would be neither. William was indignant, and ordered the herald to prison for a month, and to be fed on bread and water, for the audacity of bringing back such an answer. But the lady was unchanged. The Baron remonstrated, and demanded whether she was prepared to see his line extinguished, and his lands go to strangers. She laughed and said, that as the former could not be while she lived, and the latter could take place only after she was dead, she saw no reason why she should concern herself on the subject. The abbess of the famous convent of the Celestines, near the ford of the river Rom, where the town of Romford has since grown up, was sent to argue with her. But her answer was the question, “Why had not the abbess herself married?" Her father confessor was next sent to her. But she spor

tively asked him, "Where were his wife and children ?". a question which, though put in all innocence, so perplexed the good father, that, not desiring to be the penitent instead of the confessor, he returned with all possible speed to his convent.

Yet the Lady Blanche's eye often exhibited the signs of weeping, and her cheek grew pale. All was a problem, until a handsome youth, the son of a knight on the Kentish shore, was seen one night touching a theorbo under her window, and singing one of the Tuscan love songs, which the troubadours had brought into England.

This was enough for the suspicions of the Baron. The young minstrel was seized, and sent to join the Crusaders then embarking for the Holy Land; and the lady was consigned to the Baron's castle in Normandy. As Shakspeare said four hundred years after,

The course of true love never does run smooth.

It would take the pen and song of ten troubadours to tell the adventures of the lady and the youth. In the fashion of the age, they had each consulted an astrologer, and each had been told the same fortune, that they should constantly meet, but be constantly separated, and finally be happy.

In Normandy, the Baron's castle and the lady had fallen together into the hands of the troops who had rebelled against William, when a band, of the crusaders on the march, commanded by her lover, rescued her. The lady was next ordered to take up her abode in a convent in Lombardy, of which her father's sister was the abbess. The vessel in which she embarked was driven up the Mediterranean by a storm, and wrecked on the shore where the army of the crusaders was encamped. Thus the lovers met again. By the Baron's order, the lady returned once more to Europe; but when in sight of the Italian coast, the felucca was captured by an Algerine, and, to her astonishment, she found in the pirate's vessel her lover, who had been wounded and taken prisoner in battle with the Saracens, and sold into slavery. Again they

were separated; the lady was ransomed by her father; and the lovers seemed to have parted for ever.

But the stars were true. The lover broke his Moorish chains, and the first sight which the lady saw on her landing at Ancona, was the fugitive kneeling at her feet.

I hasten on. As the vessel in which they sailed up the Thames approached the baronial castle, they saw a black flag waving from the battlements, and heard the funeral bell toll from the abbey of the Celestines. The Baron had been laid in the vault of the abbey on that day. Their hopes were now certainty but the lady mourned for her father; and the laws of the church forbade the marriage for a year and a day. Yet, this new separation was soothed by the constant visits of her lover, who crossed the river daily to bask in the smiles of his betrothed, who looked more beautiful than ever.

The eve of the wedding-day arrived; and fate seemed now to be disarmed of the power of dividing the faithful pair; when, as the lover was passing through a dark grove to return to the Kentish shore for the last time, he was struck by an arrow shot from a thicket, fainted, and saw no

more.

The morning dawned, the vassals were in array, the bride was in her silk and velvet drapery, the bride's maids had their flower-baskets in their hands, the joy-bells pealed, a hundred horsemen were drawn up before the castle gates,—all was pomp, joy, and impatience, but no bridegroom came.

At length the mournful tidings were brought, that his boat had waited for him in vain on the evening before, and that his plume and mantle, dabbled with blood, had been found on the sands. All now was agony. The bank, the grove, the river, were searched by hundreds of eager eyes and hands, but all in vain. The bride cast aside her jewels, and vowed to live and die a maid. The castle was a house of mourning; the vassals returned to their homes: all was stooping of heads, wringing of hands, and gloomy lamentation.

But, as the castle bell tolled midnight, a loud barking was heard at the gate. It was opened; and the favourite wolf-hound of the bride

groom rushed in, making wild bounds, running to and fro, and dragging the guard by their mantles to go forth. They followed; and he sprung before them to the door of a hut in a swampy thicket a league from the castle.

On bursting open the door, they fonnd a man in bed, desperately torn, and dying from his wounds. At the sight, the noble hound flew on him; but the dying man called for a confessor, and declared that he had discharged the arrow by which the murder was committed, that he had dug a grave for the dead, and that the dog had torn him in the act. The next demand was, where the body had been laid. The dying man was carried on the pikes of the guard to the spot; the grave was opened; the body was taken up; and, to the astonishment of all, it was found still with traces of life. The knight was carried to the castle, restored, wedded, and became the lord of all the broad acres lying betweeen the Thames and the Epping hills.

He had been waylaid by one of his countless rivals, who had employed a serf to make him the mark for a clothyard shaft, and who, like the Irish felon of celebrated memory, "saved his life by dying in jail." The dog was, by all the laws of chivalry, an universal favourite while living; and when dead, was buried under a marble monument in the Isle; also giving his name to the territory; which was more than was done for his master; and hence the title of the Isle of Dogs. Is it not all written in Giraldus Cambrensis?

66

.Enter Limehouse Reach. - The sea-breeze comes wooingly," as we wind by the long serpent beach; the Pool is left behind, and we see at last the surface of the river. Hitherto it has been only a magnified Fleet-ditch. The Thames, for the river of a grave people, is one of the most frolicsome streams in the world. From London Bridge to the ocean, it makes as many turns as a hard-run fox, and shoots round so many points of the shore, that vessels a few miles off seem to be like ropemakers working in parallel lines, or the dancers in a quadrille, or Mr. Green's balloon running a race with his son's (the old story of Dædalus and Icarus renewed in the 19th century);

or those extravaganzas of the Arabian Nights, in which fairy ships are holding a regatta among meadows strewn with crysolites and emeralds, for primroses and the grass-green turf.

But what new city is this, rising on the right? What ranges of enormous penthouses, covering enormous ships on the stocks! what sentinels parading what tiers of warehouses! what boats rushing to and fro! what life, tumult, activity, and clank of hammers again? This is Deptford.

"Deep forde," says old Holinshed, "alsoe called the Goldene Strande, from the colour of its brighte sandes, the whiche verilie do shine like new golde under the crystalle waters of the Ravensbourne, which here floweth to old Father Thamis, even as a younge daughtere doth lovinglie fly to the embrace of her aged parente."

But Deptford has other claims on posterity. Here it was that Peter. the Great came, to learn the art of building the fleets that were to cover the Euxine and make the Crescent grow pale. At this moment I closed my eyes, and lived in the penultimate year of the 17th century. The scene had totally changed. The crowds, the ships, the tumult, all were gone; Isaw an open shore, with a few wooden dwellings on the edge of the water, and a single ship in the act of building. A group of ship carpenters were standing in the foreground, gazing at the uncouth fierceness with which a tall wild figure among them was driving bolts into the keel. He wore a common workman's coat and cap; but there was a boldness in his figure, and a force in his movement, which showed a superior order of man. His countenance was stern and repulsive, but stately; there was even a touch of insanity in the writhings of the mouth and the wildness of the eye; but it did not require the star on the cloak, which was flung on the ground beside him, nor the massive signet ring on his hand, to attest his rank. I saw there the most kingly of barbarians, and the most barbarian of kings. There I saw Peter, the lord of the desert, of the Tartar, and of the polar world.

While I was listening, in fancy, to the Song of the Steppe, which this magnificent operative was shouting,

rather than singing, in the rude joy of his work, I was roused by a cry of. "Deptford!—Any one for Deptford? Ease her; stop her!"

I sprang from the bench on which I had been reclining, and the world burst upon me again.

"Deptford-any one for Deptford?" cried the captain, standing on the paddle-box. None answered the call, but a whole fleet of wherries came skimming along the surge, and threw a crowd of fresh passengers, with trunks and carpet-bags numberless, on board. The traveller of taste always feels himself instinctively drawn to one object out of the thousand, and my observation was fixed on one foreign-featured female, who sat in her wherry wrapt up in an envelope of furs and possessing a pair of most lustrous eyes.

"

A sallow Italian, who stood near me, looking over the side of the vessel, exclaimed, "FANNI PELLMELLO, and the agility with which she sprang up the steps was worthy of the name of that most celebrated daughter of "the muse who presides over dancing,' as the opera critics have told us several million times.

The sallow Italian was passed with a smile of recognition, which put him in good spirits at once. Nothing vivifies the tongue of a foreigner like the memory of the Coulisses, and he overflowed upon me with the history of this terrestrial Terpsichore. It happened that he was in Rome at the time of that memorable levee at which Fanny, in all her captivations, paid her obeisance at the Vatican; an event which notoriously cost a whole coterie of princesses the bursting of their stay-laces, through sheer envy, and on whose gossip the haut ton of the "Eternal City" have subsisted ever since.

The Italian in his rapture, and with the vision of the danseuse still shining before him at the poop, began to improvise the presentation. All the world is aware that Italian prose slides into rhyme of itself,-that all subjects turn to verse in the mind of the Italian, and that, when once on his Pegasus, he gallops up hill and down, snatches at every topic in his way, has no mercy on antiquity, and would introduce King Solomon and the Queen of Sheba, dancing a quadrille with Prince Albert and Queen Victoria.