Histories, Том 2William Shakespeare arrived at his splendid maturity as an artist in his second cycle of history plays. With their superb battle scenes; their magnificent major and minor characters; their stories of ambition, usurpation, guilt, and redemption; and their profound ideas about the social order, these plays represent the Elizabethan historical drama in its full glory. And thanks to parts one and two of Henry IV our literature is graced—in the figure of the dissolute and boastful knight Sir John Falstaff—with one of the greatest comic creations in the history of the stage. |
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anticipating an outburst by Hotspur not a hundred lines ahead ( there were no scene divisions , remember ) when he complains ( in a rather Falstaffian tirade ) about fellow conspirators who have let him down . A plague upon it !
But , even in that first scene with Poins , it is clear that the Prince no longer knows whether Falstaff frequents his old drinking haunts , and he has never heard of Doll Tearsheet . In the event , he shares only one scene with ...
prologues , but another division , running the first two acts together and dividing Act IV into two after its sixth scene , is marked with Act - Headings . Both arrangements involve difficulties : that of the printed headings disregards ...
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Пользовательский отзыв - JVioland - LibraryThingWhat can you say that hasn't been said about the works of one of the most brilliant minds who ever lived? All superlatives elude me. Only the Ancient Greek playwrights are his equals. All others pale ... Читать весь отзыв
Содержание
Introduction | xi |
Select Bibliography сxxiii | cxxiii |
HENRY IV PART ONE | 113 |
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The Modernist Shakespeare: Critical Texts in a Material World Hugh Grady Недоступно для просмотра - 1994 |