Histories, Том 2William Shakespeare arrived at his splendid maturity as an artist in his second cycle of history plays. With their superb battle scenes; their magnificent major and minor characters; their stories of ambition, usurpation, guilt, and redemption; and their profound ideas about the social order, these plays represent the Elizabethan historical drama in its full glory. And thanks to parts one and two of Henry IV our literature is graced—in the figure of the dissolute and boastful knight Sir John Falstaff—with one of the greatest comic creations in the history of the stage. |
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65 FALSTAFF Ye lie , hostess . Bardolph was shaved and lost many a hair , and I'll be sworn my pocket was picked . Go to , you are a woman , go ! HOSTESS Who , I ? No ; I defy thee ! God's light , I was never called so in mine own house ...
HOSTESS Say , what thing , what thing ? FALSTAFF What thing ? Why , a thing to thank God on . HOSTESS I am no thing to thank God on , I would thou shouldst know it ! I am an honest man's wife , and , setting thy knighthood aside ...
Enter Hostess of the Tavern and an Officer or two [ Fang and another , followed by Snare ) . HOSTESS Master Fang , have you ent'red the action ? FANG It is ent'red . HOSTESS Where's your yeoman ? Is't a lusty yeoman ?
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Пользовательский отзыв - JVioland - LibraryThingWhat can you say that hasn't been said about the works of one of the most brilliant minds who ever lived? All superlatives elude me. Only the Ancient Greek playwrights are his equals. All others pale ... Читать весь отзыв
Содержание
Introduction | xi |
Select Bibliography сxxiii | cxxiii |
HENRY IV PART ONE | 113 |
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The Modernist Shakespeare: Critical Texts in a Material World Hugh Grady Недоступно для просмотра - 1994 |