William Shakespeare: The Critical Heritage Volume 5 1765-1774Brian Vickers Routledge, 1 февр. 2013 г. - Всего страниц: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes. |
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... Romeo and Juliet (the most popular play in the period, with a total of 141 performances at Drury Lane, 188 at Covent Garden), Hamlet (114 and 81 performances), King Lear (82 and 53), Macbeth (76 and 58). Of the 10 most popular tragedies ...
... Romeo and Juliet (the most popular play in the period, with a total of 141 performances at Drury Lane, 188 at Covent Garden), Hamlet (114 and 81 performances), King Lear (82 and 53), Macbeth (76 and 58). Of the 10 most popular tragedies ...
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... Romeo and Juliet (No. 117 in Vol. 3), Macbeth (No. 100), and Cymbeline (see Vol. 4, pp. 19f.). Even Henry VIII owed much of its theatrical success to the vastly increased splendour of the coronation procession (No. 192 in Vol. 4). The ...
... Romeo and Juliet (No. 117 in Vol. 3), Macbeth (No. 100), and Cymbeline (see Vol. 4, pp. 19f.). Even Henry VIII owed much of its theatrical success to the vastly increased splendour of the coronation procession (No. 192 in Vol. 4). The ...
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... Romeo and Juliet,'Tragical one Day, and Tragicomical another' (2.189). Tragedy was not in those times a poem of more general dignity or elevation than comedy; it required only a calamitous conclusion, with which the common criticism of ...
... Romeo and Juliet,'Tragical one Day, and Tragicomical another' (2.189). Tragedy was not in those times a poem of more general dignity or elevation than comedy; it required only a calamitous conclusion, with which the common criticism of ...
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... Romeo and Juliet he is observed4 to have followed the English translation where it deviates from the Italian; but this on the other part proves nothing against his knowledge of the original. He was to copy, not what he knew himself, but ...
... Romeo and Juliet he is observed4 to have followed the English translation where it deviates from the Italian; but this on the other part proves nothing against his knowledge of the original. He was to copy, not what he knew himself, but ...
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Содержание
George Colman Johnsons edition reviewed 1765 | |
William Kenrick Johnson attacked 1765 | |
William Guthrie J ohnson reviewed 17656 | |
James Barclay Johnson defended 1766 | |
U nsigned essay on the deficiencies of English drama 1769 | |
Charles Jennens on editing King Lear 1770 | |
William Duff Shakespeares genius 1770 | |
Prancis Gentleman Shakespeare the dramatist 1770 | |
Paul Hiffernan idolizing Shakespeare 1770 | |
John Armstrong Shakespeare and the Unities 1770 | |
J R Ode to Shakespeare1771 | |
Richard Cumberland adaptation of Timon of Athens 1771 | |
Thomas Tyrwhitt on editing Shakespeare 1766 | |
George Steevens proposals for a new edition of Shakespeare 1766 | |
Richard Hurd Shakespeares pastorals 1766 | |
William Guthrie Farmer reviewed 1767 | |
T W on three Shakespearian tragedies 1768 | |
George Colman Farmer criticized 1768 | |
George Colman King Lear partly restored 1768 | |
Richard Warner Shakespeares language 1768 | |
Edward Capell introduction to Shakespeare 1768 | |
Elizabeth Montagu Shakespeares genlus 1769 | |
David Garrick Jubilee Ode to Shakespeare 1769 | |
Unsigned oration In honour of Shakepeare 1769 | |
John Potter Shakespeare in the theatre 17712 | |
George Steevens Shakespeare in the theatre 17712 | |
George Steevens advice to Garrick on adapting Hamlet 1771 | |
David Garrick adaptation of Hamlet 1772 | |
Various writersGarricks Hamlet reviewed 17723 | |
George Steevens Shakespeare in the theatre 17723 | |
Tate Wilkinson adaptation of Hamlet 1773 | |
Thomas Hawkins Eng1ish drama before Shakespeare 1773 | |
Edward Capell notes on Shakespeare 1774 | |
A Select Bibliography | |
Index | |
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William Shakespeare: The Critical Heritage Volume 5 1765-1774, Том 5 Brian Vickers Недоступно для просмотра - 2008 |
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absurdity action admirable affection alteration ancient appears audience beauties Ben Jonson Capell censure character Colman comedy conjecture copies Cordelia criticism Cymbeline David Garrick death drama edition editor Edward Capell emendation endeavoured English excellence exhibited expression fable Falstaff favour folio Garrick genius George Steevens Ghost give Guthrie Hamlet hath Henry honour imagination Johnson Kenrick King King Lear Laertes language Lear learning Macbeth manner means merit mind murder nature never observed Ophelia opinion original Othello passage passions performance perhaps piece play Plutarch poet poetical Polonius Pope praise Preface Prince produce quarto Queen Quotes reader reason remarks Review Richard Romeo and Juliet says scene seems sense sentiments Shakespeare Sherbo shew soliloquy speak speech stage Steevens Steevens's suppose theatre thee Theobald thou thought Timon Timon of Athens Titus Andronicus tragedy translation unities Voltaire Warburton words writers