William Shakespeare: The Critical Heritage Volume 5 1765-1774Brian Vickers Routledge, 1 февр. 2013 г. - Всего страниц: 568 The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The carefully selected sources range from landmark essays in the history of criticism to journalism and contemporary opinion, and little published documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included, in order to demonstrate the fluctuations in an author's reputation. Each volume contains an introduction to the writer's published works, a selected bibliography, and an index of works, authors and subjects.The Collected Critical Heritage set will be available as a set of 68 volumes and the series will also be available in mini sets selected by period (in slipcase boxes) and as individual volumes. |
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... first essay and the completed edition, we can hardly accuse him of indolence. Yet, however much he managed to overcome his habitual lethargy in other areas, the edition made very slow progress. 44 He had made the tactical mistake of ...
... first essay and the completed edition, we can hardly accuse him of indolence. Yet, however much he managed to overcome his habitual lethargy in other areas, the edition made very slow progress. 44 He had made the tactical mistake of ...
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... first (and superseded) edition. Johnson's editing was spasmodic, erratic, inconsistent. The fact that the work had been carried out over some time, as evidenced by the Appendix containing a number of corrections and second thoughts, was ...
... first (and superseded) edition. Johnson's editing was spasmodic, erratic, inconsistent. The fact that the work had been carried out over some time, as evidenced by the Appendix containing a number of corrections and second thoughts, was ...
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... first while making some important reservations about the function of Hamlet's madness and the relation of the catastrophe to the main action. Johnson's emotional response to the death of Ophelia (Note 215) is as touching as that to the ...
... first while making some important reservations about the function of Hamlet's madness and the relation of the catastrophe to the main action. Johnson's emotional response to the death of Ophelia (Note 215) is as touching as that to the ...
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... first instalment of his Notes (No. 242). Transcription of the remainder was unfinished at his death, and they were finally published posthumously by his friend John Collins, in 1783. Even today the use of the 10 small octavo volumes of ...
... first instalment of his Notes (No. 242). Transcription of the remainder was unfinished at his death, and they were finally published posthumously by his friend John Collins, in 1783. Even today the use of the 10 small octavo volumes of ...
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... first of these, King Lear (No. 225), Jennens states that 'no fair and exact collation of Shakespeare hath yet been presented to the public', due to Cape11's edition appearing without the variant readings, and that he has now begun to ...
... first of these, King Lear (No. 225), Jennens states that 'no fair and exact collation of Shakespeare hath yet been presented to the public', due to Cape11's edition appearing without the variant readings, and that he has now begun to ...
Содержание
George Colman Johnsons edition reviewed 1765 | |
William Kenrick Johnson attacked 1765 | |
William Guthrie J ohnson reviewed 17656 | |
James Barclay Johnson defended 1766 | |
U nsigned essay on the deficiencies of English drama 1769 | |
Charles Jennens on editing King Lear 1770 | |
William Duff Shakespeares genius 1770 | |
Prancis Gentleman Shakespeare the dramatist 1770 | |
Paul Hiffernan idolizing Shakespeare 1770 | |
John Armstrong Shakespeare and the Unities 1770 | |
J R Ode to Shakespeare1771 | |
Richard Cumberland adaptation of Timon of Athens 1771 | |
Thomas Tyrwhitt on editing Shakespeare 1766 | |
George Steevens proposals for a new edition of Shakespeare 1766 | |
Richard Hurd Shakespeares pastorals 1766 | |
William Guthrie Farmer reviewed 1767 | |
T W on three Shakespearian tragedies 1768 | |
George Colman Farmer criticized 1768 | |
George Colman King Lear partly restored 1768 | |
Richard Warner Shakespeares language 1768 | |
Edward Capell introduction to Shakespeare 1768 | |
Elizabeth Montagu Shakespeares genlus 1769 | |
David Garrick Jubilee Ode to Shakespeare 1769 | |
Unsigned oration In honour of Shakepeare 1769 | |
John Potter Shakespeare in the theatre 17712 | |
George Steevens Shakespeare in the theatre 17712 | |
George Steevens advice to Garrick on adapting Hamlet 1771 | |
David Garrick adaptation of Hamlet 1772 | |
Various writersGarricks Hamlet reviewed 17723 | |
George Steevens Shakespeare in the theatre 17723 | |
Tate Wilkinson adaptation of Hamlet 1773 | |
Thomas Hawkins Eng1ish drama before Shakespeare 1773 | |
Edward Capell notes on Shakespeare 1774 | |
A Select Bibliography | |
Index | |
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William Shakespeare: The Critical Heritage Volume 5 1765-1774, Том 5 Brian Vickers Недоступно для просмотра - 2008 |
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