HamletPenguin UK, 7 апр. 2005 г. - Всего страниц: 400 'The Mona Lisa of literature' T. S. Eliot |
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... play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his imagination. Introductions to individual works in this series attempt ...
... play to play, and often also within the plays themselves, that the repertory system within which he worked demanded, and which provided an invaluable stimulus to his imagination. Introductions to individual works in this series attempt ...
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... played more than one role in a play and additional actors were hired as needed. Led by the tragedian Richard Burbage (1568–1619) and, initially, the comic actor Will Kemp (d. 1603), they rapidly achieved a high reputation, and when King ...
... played more than one role in a play and additional actors were hired as needed. Led by the tragedian Richard Burbage (1568–1619) and, initially, the comic actor Will Kemp (d. 1603), they rapidly achieved a high reputation, and when King ...
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... play Cardenio. Shakespeare's output dwindled in his last years, and he died in 1616 in Stratford, where he owned a ... plays is their intellectual and emotional scope. They span a great range from the lightest of comedies, such as The ...
... play Cardenio. Shakespeare's output dwindled in his last years, and he died in 1616 in Stratford, where he owned a ... plays is their intellectual and emotional scope. They span a great range from the lightest of comedies, such as The ...
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... plays about Roman history. Some plays are closely based on shorter individual works: As You Like It, for instance, on the novel Rosalynde (1590) by his near-contemporary Thomas Lodge (1558–1625), The Winter's Tale on Pandosto (1588) by ...
... plays about Roman history. Some plays are closely based on shorter individual works: As You Like It, for instance, on the novel Rosalynde (1590) by his near-contemporary Thomas Lodge (1558–1625), The Winter's Tale on Pandosto (1588) by ...
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... plays could render the original texts viable in terms of the modern theatre. During the twentieth century appreciation of Shakespeare's work, encouraged by the availability of audio, film and video versions of the plays, spread around ...
... plays could render the original texts viable in terms of the modern theatre. During the twentieth century appreciation of Shakespeare's work, encouraged by the availability of audio, film and video versions of the plays, spread around ...
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action actor audience BARNARDO behaviour blood character Christian Claudius Claudius’s Danish dead dear Denmark doth e’en Elizabethan England Enter Hamlet Enter the King Exeunt Exit eyes F reads father fear Fortinbras friends gentleman Gertrude Ghost give God’s hast hath hear heart heaven honour in’t is’t Jephthah judgement Julius Caesar killed King and Queen King Claudius King Hamlet King of Denmark King’s Laertes Laertes’s look madness MARCELLUS marriage means misogyny mother murder nature night Norway o’er Ophelia OSRICK Paul Prescott performance perhaps phrase play play’s PLAYER poison Pollax Polonius Polonius’s pray Presumably Prince Prince Hamlet probably Pyrrhus Q2 and F Q2 reads Quarto rapiers revenge REYNALDO Richard II Rosencrantz and Guildenstern scene SECOND CLOWN seems sense Shakespeare soliloquy soul speak speech sweet sword tell theatre thee There’s thou thoughts tragedy Trumpets Voltemand what’s word