Power, Plain English, and the Rise of Modern PoetryYale University Press, 1 окт. 2008 г. - Всего страниц: 224 DIVIn this engaging book David Rosen offers a radically new account of Modern poetry and revises our understanding of its relation to Romanticism. British poets from Wordsworth to Auden attempted to present themselves simultaneously as persons of power and as moral voices in their communities. The modern lyric derives its characteristic complexities—psychological, ethical, formal—from the extraordinary difficulty of this effort. The low register of our language—a register of short, concrete, native words arranged in simple syntax—is deeply implicated in this story. Rosen shows how the peculiar reputation of “plain English” for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves. With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language./div |
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... recognize the numerous persons who read the manuscript in an official or semiofficial capacity . Paul Fry , John Hol- lander , and Christopher Miller offered pointed but encouraging early critiques . Marshall Brown , the editor of ...
... recognize the numerous persons who read the manuscript in an official or semiofficial capacity . Paul Fry , John Hol- lander , and Christopher Miller offered pointed but encouraging early critiques . Marshall Brown , the editor of ...
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... recognizing this vacancy (properly) as a kind of amnesia, he insists on de- tecting in it the intimations of a higher reality, the sublime. His conceit—at once an act of self-preservation and self-forgetting, a fiction that allows him ...
... recognizing this vacancy (properly) as a kind of amnesia, he insists on de- tecting in it the intimations of a higher reality, the sublime. His conceit—at once an act of self-preservation and self-forgetting, a fiction that allows him ...
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... recognized as doing so. Once the new premises are ac- cepted, wide consensus follows.16 This is clearly not the way paradigms shift (to use the available metaphor) in literary history. Almost always, when examining a revolution in ...
... recognized as doing so. Once the new premises are ac- cepted, wide consensus follows.16 This is clearly not the way paradigms shift (to use the available metaphor) in literary history. Almost always, when examining a revolution in ...
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... recognize the cranberry juice as red , we may be per- ceiving nothing in the liquid itself besides an imperfect conformity to a pre- existing idea , an idea quite possibly held together by nothing more the word red itself . When one ...
... recognize the cranberry juice as red , we may be per- ceiving nothing in the liquid itself besides an imperfect conformity to a pre- existing idea , an idea quite possibly held together by nothing more the word red itself . When one ...
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15 | |
Wordsworths Empirical Imagination | 33 |
Certain Good W B Yeats and the Language of Autobiography | 73 |
The Lost Youth of Modern Poetry T S Eliot W H Auden | 123 |
Notes | 181 |
201 | |
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argument autobiography beauty Beggar begins Book Cambridge career century chapter claims Cold Heaven Coleridge crisis critics culture decade diction early Essays experience feelings finally Freud Green Helmet Harold Bloom human identity idiom imagination Jarrell John John Keats Juvenilia XVIa Katherine Bucknell Keats kind landscape language late later Latinate lines Locke Locke's low register lyric M. H. Abrams mature Maud Gonne meaning memory metaphor mind modern poetry Modernist myth nature object Orwell passage perhaps period philosophical plain English poem poet poet’s poetic political Prelude prose psychology Randall Jarrell reality recognize rhetoric Romantic Romanticism seems sense Shelley simple ideas social speaker stanza style suggest T. S. Eliot theory things thought Tintern Abbey tion tradition truth turn understanding University Press verse verse paragraph vision visionary voice W. B. Yeats W. H. Auden Watershed William Wordsworth words Wordsworthian writing Yeats's York