Power, Plain English, and the Rise of Modern PoetryYale University Press, 1 окт. 2008 г. - Всего страниц: 224 DIVIn this engaging book David Rosen offers a radically new account of Modern poetry and revises our understanding of its relation to Romanticism. British poets from Wordsworth to Auden attempted to present themselves simultaneously as persons of power and as moral voices in their communities. The modern lyric derives its characteristic complexities—psychological, ethical, formal—from the extraordinary difficulty of this effort. The low register of our language—a register of short, concrete, native words arranged in simple syntax—is deeply implicated in this story. Rosen shows how the peculiar reputation of “plain English” for truthfulness is employed by Modern poets to conceal the rift between their (probably irreconcilable) ambitions for themselves. With a deep appreciation for poetic accomplishment and a wonderful iconoclasm, Rosen sheds new light on the innovative as well as the self-deceptive aspects of Modern poetry. This book alters our understanding of the history of poetry in the English language./div |
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... University Press New Haven & London The first third of chapter 4 originally appeared as "T.
... University Press New Haven & London The first third of chapter 4 originally appeared as "T.
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... University Press. Excerpts from "At Graduation 1905" from Poems Written in Early Youth by T. S. Eliot. Copyright © 1967, renewed 1995 by Valerie Eliot. Reprinted by permission of Farrar, Straus and Giroux, LLC. "Convictions" and ...
... University Press. Excerpts from "At Graduation 1905" from Poems Written in Early Youth by T. S. Eliot. Copyright © 1967, renewed 1995 by Valerie Eliot. Reprinted by permission of Farrar, Straus and Giroux, LLC. "Convictions" and ...
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15 | |
Wordsworths Empirical Imagination | 33 |
Certain Good W B Yeats and the Language of Autobiography | 73 |
The Lost Youth of Modern Poetry T S Eliot W H Auden | 123 |
Notes | 181 |
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