Jim Jarmusch

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University of Illinois Press, 13 авг. 2007 г. - Всего страниц: 196
The first major English-language study of Jarmusch

At a time when gimmicky, action-driven blockbusters ruled Hollywood, Jim Jarmusch spearheaded a boom in independent cinema by making low-budget films focused on intimacy, character, and new takes on classical narratives. His minimal form, peculiar pacing, wry humor, and blank affect have since been adopted by directors including Sophia Coppola, Hal Harley, Richard Linklater, and Wong Kar-Wai. Juan A. Suárez's Jim Jarmusch analyzes the director's work from three mutually implicated perspectives: in relation to independent filmmaking from the 1980s to the present; as a form of cultural production that appropriates existing icons, genres, and motifs; and as an instance of postmodern politics.

A volume in the series Contemporary Film Directors, edited by James R. Naremore

 

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Jim Jarmusch

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Seemingly as enigmatic as much of his work, the eccentric Jim Jarmusch has made only a handful of films since 1979 and yet has had an unmistakable influence on like-minded directors who have followed ... Читать весь отзыв

Jim Jarmusch

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Seemingly as enigmatic as much of his work, the eccentric Jim Jarmusch has made only a handful of films since 1979 and yet has had an unmistakable influence on like-minded directors who have followed ... Читать весь отзыв

Содержание

chapter 1
1
bibliography
185
index
193

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Об авторе (2007)

Juan A. Suarez is an associate professor of American studies and English at the University of Murcia, Spain. He is the author of Pop Modernism: Noise and the Reinvention of the Everyday and other books.

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