Antony and CleopatraPenguin UK, 7 апр. 2005 г. - Всего страниц: 336 'Shakespeare's play is death-haunted from the start, and its self-glorifying lovers exist in a dream of passion' Guardian |
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... thought with feeling. Towards the end of his career, in plays such as The Winter's Tale, Cymbeline and The Tempest, he adopts a more highly mannered style, in keeping with the more overtly symbolical and emblematical mode in which he is ...
... heroic idealism that was commonly thought to have granted Rome absolute sway over the classical world. Crossdressing might seem appropriate in comedies like Twelfth Night and As You Like It, but there the motif serves.
... thought of her suicide; until that moment he has only heard rumours about it. Dido remains silent and unmoved as 'if she had been hard flint or a standing block of Parian marble' (tr. W. F. Jackson Knight (1956)). Then she flees back ...
... thought which in the past confidently aligned Shakespeare with Roman readings was predicated on the notion that law-abiding Elizabethans, including Shakespeare, would naturally identify with Rome and her empire. Or perhaps even her two ...
... thought that her husband has become a child-slayer reverberates in the pathos of her jingle: 'The Thane of Fife had a wife; where is she now?' (V.1.41). In Antony and Cleopatra the lovers' children never appear on stage. When Antony ...