Antony and CleopatraPenguin UK, 7 апр. 2005 г. - Всего страниц: 336 'Shakespeare's play is death-haunted from the start, and its self-glorifying lovers exist in a dream of passion' Guardian |
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... when King James I succeeded Queen Elizabeth I in 1603 they were renamed as the King's Men. All the women's parts were played by boys; there is no evidence that any female role was ever played by a male actor over the age of.
... queen of Ptolemy More womanly than he ... (I.4.3–7) EXOTIC GENDER-BENDING That Antony is unmanned in Egypt is clear not only to Octavius and his intelligencers in Alexandria but is cheerfully acknowledged by Cleopatra herself when she ...
... Queen. (I.2.80) Modern editions now tend to leave Cleopatra's entrance where the Folio places it, but it has sometimes been sandwiched between Enobarbus' and Charmian's half-lines, or else it was made to follow Charmian's 'the Queen ...
... queen of Ptolemy' (I.4.6) and 'serpent of old Nile' (I.5.25), since such figures of speech and titles ground her in this mysterious world where shapes and gender are only ever constant in flux. Shakespeare's primary source of ...
... queen of Egypt, who attributes her darkness to the loving embraces of Phoebus Apollo. She is no longer in those famous 'salad days' (73) when she was the youthful, alluring mistress of Julius Caesar. She was twenty-eight when she first ...