Antony and CleopatraPenguin UK, 7 апр. 2005 г. - Всего страниц: 336 'Shakespeare's play is death-haunted from the start, and its self-glorifying lovers exist in a dream of passion' Guardian |
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... natural order and form a part of the plays' creative anarchy. Not so in Antony and Cleopatra where the lovers' transvestite playing is interpreted, by the Romans if not the dramatist, as exotic and decadent. They may even appear on the ...
... NATURE'S DOUBLE NAME' Before the sea-battle of Actium one of Antony's loyal soldiers reminds him that the Romans have traditionally won their battles standing on the earth, the most solid of the four elements. 'Let th'Egyptians | And ...
... natural corollary of a masculine imperial perspective which allows no scope to the feminine. Educated Elizabethans knew this from reading the most famous imperial poem of them all, the Aeneid by Virgil (70–19 BC). When Aeneas longs to ...
... natural dispositions and manners appear more plain than the famous battles won wherein are slain ten thousand men, or the great armies, or cities won by siege or assault. The most striking of all of Plutarch's chronicles is The Life of ...
... natural elements with agency and sense Shakespeare turns Cleopatra's pageant at Cydnus into a distinctly Ovidian scene ... nature in the creation of beauty, but then asks us to consider Cleopatra as a 'real' or natural woman who by being ...