English Poetry from Blake to BrowningMethuen & Company, 1894 - Всего страниц: 204 |
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... affections, with its primary facts. That nature, however far back we press the enquiry, can never be fully explained, and poetry also evades complete analysis. Not, indeed, that, strictly speaking, poetry itself is insusceptible of ...
... affections, with its primary facts. That nature, however far back we press the enquiry, can never be fully explained, and poetry also evades complete analysis. Not, indeed, that, strictly speaking, poetry itself is insusceptible of ...
Стр. 5
... affections , with its primary facts . That nature , however far back we press the enquiry , can never be fully explained , and poetry also evades complete analysis . Not , indeed , that , strictly speaking , poetry itself is ...
... affections , with its primary facts . That nature , however far back we press the enquiry , can never be fully explained , and poetry also evades complete analysis . Not , indeed , that , strictly speaking , poetry itself is ...
Стр. 15
... affections that are primal . Hence there is a closer similarity between the lyric poetry of all races than exists ... affection , patriotism ; these are the chief springs of song ; or , as we may more at length express it , in our ...
... affections that are primal . Hence there is a closer similarity between the lyric poetry of all races than exists ... affection , patriotism ; these are the chief springs of song ; or , as we may more at length express it , in our ...
Стр. 27
... affections of its nature . In no other of the fine arts , save poetry , can it claim to have the lead , to have given birth to originative or stimulating ideas , or to have shown any superiority in its workmanship , either of delicacy ...
... affections of its nature . In no other of the fine arts , save poetry , can it claim to have the lead , to have given birth to originative or stimulating ideas , or to have shown any superiority in its workmanship , either of delicacy ...
Стр. 42
... affection . In it a gentleness and a naïveté , a sweetness and a melancholy , a tender grace and a subtle pathos , a quiet humour and a pure religion combine to produce a charm unmatched elsewhere . ' Our highest master in simple pathos ...
... affection . In it a gentleness and a naïveté , a sweetness and a melancholy , a tender grace and a subtle pathos , a quiet humour and a pure religion combine to produce a charm unmatched elsewhere . ' Our highest master in simple pathos ...
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action Æneid artist Author ballad BARING GOULD beauty born breath Browning Burns Byron Carlyle century charm Childe Harold classic Coleridge colour Cowper criticism Crown 8vo Dante delight diction divine dramatic Edition emotion English poetry epic epic poetry expression faith feeling genius give Goethe GORDON BROWNE grace Greek heart heroic honours human humour ideal ideas imagination inspiring intellectual interest Keats Landor language Leigh Hunt less literature lived lyric lyric poetry Lyrical Ballads MABEL ROBINSON matter Matthew Arnold melody Milton mind moods Moore moral Nature never noble passion perfect perhaps philosophy Plato pleasure poems poet poet's poetic Pope prose pure race reader romantic Scott sense Shakespere Shelley Shelley's social song Sophocles soul Southey speak Spenser sphere spirit splendid style subjects Tennyson thee things thought tion true truth universal verse W. G. COLLINGWOOD words Wordsworth write
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Стр. 48 - I STOOD in Venice, on the Bridge of Sighs ; A palace and a prison on each hand : I saw from out the wave her structures rise As from the stroke of the enchanter's wand : A thousand years their cloudy wings expand Around me, and a dying Glory smiles O'er the far times, when many a subject land Look'd to the winged Lion's marble piles, Where Venice sate in state, throned on her hundred isles...
Стр. 49 - Last noon beheld them full of lusty life, Last eve in Beauty's circle proudly gay, The midnight brought the signal-sound of strife, The morn the marshalling in arms, — the day Battle's...
Стр. 98 - I cannot see what flowers are at my feet, Nor what soft incense hangs upon the boughs, But in embalmed darkness guess each sweet...
Стр. 106 - I STROVE with none, for none was worth my strife; Nature I loved, and next to Nature, Art; I warmed both hands before the fire of life; It sinks, and I am ready to depart.
Стр. 83 - The floating clouds their state shall lend To her ; for her the willow bend ; Nor shall she fail to see Even in the motions of the Storm Grace that shall mould the Maiden's form By silent sympathy.
Стр. 68 - It ceased; yet still the sails made on A pleasant noise till noon, A noise like of a hidden brook In the leafy month of June, That to the sleeping woods all night Singeth a quiet tune.
Стр. 155 - Ten of them were sheathed in steel, With belted sword, and spur on heel : They quitted not their harness bright, Neither by day, nor yet by night...
Стр. 65 - Wordsworth, on the other hand, was to propose to himself as his object, to give the charm of novelty to things of every day, and to excite a feeling analogous to the supernatural, by awakening the mind's attention from the lethargy of custom, and directing it to the loveliness and the wonders of the world before us...
Стр. 2 - A most splendid and fascinating book on a subject of undying interest. The great feature of the book is the use the author has made of the existing portraits of the Caesars and the admirable critical subtlety he has exhibited in dealing with this line of research. It is brilliantly written, and the illustrations are supplied on a scale of profuse magnificence.
Стр. 58 - The sword, the banner, and the field, Glory and Greece, around me see! The Spartan, borne upon his shield, Was not more free. Awake! (not Greece — she is awake!) Awake, my spirit! Think through whom Thy life-blood tracks its parent lake. And then strike home!