Generation Ecstasy: Into the World of Techno and Rave CultureRoutledge, 19 июн. 2013 г. - Всего страниц: 480 In Generation Ecstasy, Simon Reynolds takes the reader on a guided tour of this end-of-the-millenium phenomenon, telling the story of rave culture and techno music as an insider who has dosed up and blissed out. A celebration of rave's quest for the perfect beat definitive chronicle of rave culture and electronic dance music. |
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... look for the auteur-geniuses who seem most promising in terms of long-term, album-based careers. But dance scenes don't really work like this: the 12-inch single is what counts, there's little brand loyalty to artists, and DJs are more ...
... look for the auteur-geniuses who seem most promising in terms of long-term, album-based careers. But dance scenes don't really work like this: the 12-inch single is what counts, there's little brand loyalty to artists, and DJs are more ...
Стр. 4
... look for the auteur - geniuses who seem most promising in terms of long - term , album - based careers . But dance scenes don't really work like this : the 12- inch single is what counts , there's little brand loyalty to artists , and ...
... look for the auteur - geniuses who seem most promising in terms of long - term , album - based careers . But dance scenes don't really work like this : the 12- inch single is what counts , there's little brand loyalty to artists , and ...
Стр. 9
... looks more like a sinister cult . I think again of that declaration : " We must make of joy a crime against the state . " In 1992 the two aspects of un- derground rave that particularly enthralled me were literally crimes against the ...
... looks more like a sinister cult . I think again of that declaration : " We must make of joy a crime against the state . " In 1992 the two aspects of un- derground rave that particularly enthralled me were literally crimes against the ...
Стр. 17
... look at you and just walk off the dance floor . And that's how we developed our skills , ' cos we had no room for error . These people wouldn't accept it . " May and Atkins applied the same kind of the- oretical intensity to the art of ...
... look at you and just walk off the dance floor . And that's how we developed our skills , ' cos we had no room for error . These people wouldn't accept it . " May and Atkins applied the same kind of the- oretical intensity to the art of ...
Стр. 29
... looks a bit like a robot with epilepsy . In jack tracks like Fast Eddie Smith's " Jack to the Sound , " lyrics are restricted to terse work - that - body commands . Eventually acid house bypassed verbals altogether and proceeded to what ...
... looks a bit like a robot with epilepsy . In jack tracks like Fast Eddie Smith's " Jack to the Sound , " lyrics are restricted to terse work - that - body commands . Eventually acid house bypassed verbals altogether and proceeded to what ...
Другие издания - Просмотреть все
Generation Ecstasy: Into the World of Techno and Rave Culture Simon Reynolds Ограниченный просмотр - 2013 |
Generation Ecstasy: Into the World of Techno and Rave Culture Simon Reynolds Ограниченный просмотр - 1999 |
Generation Ecstasy: Into the World of Techno and Rave Culture Simon Reynolds Недоступно для просмотра - 2016 |
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acid acid house actually album ambient American ardkore artists band bass beats became become body boys breakbeat breaks British called Chicago City classic club comes COMPILATIONS created culture dance dance music dark Detroit disco drug drum early Ecstasy effects electronic energy experience feel floor future gabba garage happy hard hardcore hip-hop idea industry intelligent it's jungle kids kind label late listening live London look looped Love machine MDMA metal Moving never night noise original parties playing police producers rave ravers record released Remix Rhythm riffs rock running samples says scene seems sense side song soul sound speed Spiral Tribe started style techno term there's thing took tracks turned underground vocal wanted