Generation Ecstasy: Into the World of Techno and Rave CultureRoutledge, 19 июн. 2013 г. - Всего страниц: 480 In Generation Ecstasy, Simon Reynolds takes the reader on a guided tour of this end-of-the-millenium phenomenon, telling the story of rave culture and techno music as an insider who has dosed up and blissed out. A celebration of rave's quest for the perfect beat definitive chronicle of rave culture and electronic dance music. |
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Стр. 9
... break with rock , or at least the dominant English Lit and socialist realist paradigms of rock crit- icism , which focus on songs and storytelling . Where rock relates an experience ( autobiographical or imaginary ) , rave constructs an ...
... break with rock , or at least the dominant English Lit and socialist realist paradigms of rock crit- icism , which focus on songs and storytelling . Where rock relates an experience ( autobiographical or imaginary ) , rave constructs an ...
Стр. 25
... breaks on a reel - to - reel tape recorder , reworking and recombining the raw material- Philadelphia International classics , underground club hits on the Salsoul label by the likes of Loleatta Holloway and First Choice , Moroder ...
... breaks on a reel - to - reel tape recorder , reworking and recombining the raw material- Philadelphia International classics , underground club hits on the Salsoul label by the likes of Loleatta Holloway and First Choice , Moroder ...
Стр. 41
... breaks with traditional ideas of " musicality , " though , and so I'm using " sampladelia " as a general rubric for electronic dance music's revolutionary implications : its radical break with the ideals of real - time inter- active ...
... breaks with traditional ideas of " musicality , " though , and so I'm using " sampladelia " as a general rubric for electronic dance music's revolutionary implications : its radical break with the ideals of real - time inter- active ...
Стр. 43
... appear to constitute a radical break with the spontaneity of rock ' n ' roll . In truth , from very early on in the music's history , rock bands used studio technology to correct mistakes and overdub GENERATION ECSTASY | 043.
... appear to constitute a radical break with the spontaneity of rock ' n ' roll . In truth , from very early on in the music's history , rock bands used studio technology to correct mistakes and overdub GENERATION ECSTASY | 043.
Стр. 77
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Generation Ecstasy: Into the World of Techno and Rave Culture Simon Reynolds Ограниченный просмотр - 2013 |
Generation Ecstasy: Into the World of Techno and Rave Culture Simon Reynolds Ограниченный просмотр - 1999 |
Generation Ecstasy: Into the World of Techno and Rave Culture Simon Reynolds Недоступно для просмотра - 2016 |
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